In memory of Yevgeny Svetlanov.
Svetlanov Symphony Orchestra of Russia,
Vladimir Jurowski, Patricia Kopachinskaya

State Academic Symphony Orchestra of Russia (Svetlanov Symphony Orchestra) is one of the oldest symphony ensembles in the country: in 2021 it has celebrated its 85th anniversary. The first performance of the orchestra conducted by Alexander Gauk and Erich Kleiber, took place on October 5th, 1936 in the Great Hall of the Moscow Conservatory.

Over the years, the State Orchestra was directed by outstanding musicians: Alexander Gauk (1936–1941), Natan Rakhlin (1941–1945), Konstantin Ivanov (1946–1965) and Yevgeny Svetlanov (1965–2000). In 2005, the ensemble was named after Yevgeny Svetlanov. In 2000–2002, the orchestra was headed by Vasily Sinaisky, in 2002–2011 – by Mark Gorenstein, in 2011–2021 – by Vladimir Jurowski, in 2021–2022  by Vasily Petrenko. Since 2024, Philipp Chizhevsky has been Artistic Director of the orchestra.

The orchestra’s concerts were held at the most famous concert venues in the world including the Great Hall of the Conservatory, the Tchaikovsky Concert Hall, the Bolshoi Theater of Russia, the Column Hall of the House of Unions, the State Kremlin Palace in Moscow, Carnegie Hall in New York, the Kennedy Center in Washington, the Musikverein in Vienna, the Royal Albert Hall in London, the Pleyel in Paris, the Colon National Opera in Buenos Aires, the Suntory Hall in Tokyo. In 2013, the orchestra for the first time performed in the Red Square in Moscow.

Herman Abendroth, Ernest Ansermet, Leo Blech, Nikolai Golovanov, Kurt Sanderling, Otto Klemperer, Kirill Kondrashin, Lorin Maazel, Kurt Mazur, Nikolai Malko, Igor Markevich, Yevgeny Mravinsky, Charles Munch, Gennady Rozhdestvensky, Mstislav Rostropovich, Saulus Sondeckis, Igor Stravinsky, Mariss Jansons, Andrey Boreyko, Alexander Vedernikov, Valery Gergiev, Charles Dutoit, Alexander Lazarev, Alexander Sladkovsky, Leonard Slatkin, Yuri Temirkanov, Thomas Zehetmair, Mikhail Jurowski, Neeme Jarvi and other outstanding conductors directed at the conductor's desk of the orchestra.

Famous musicians and ensembles performed with the orchestra including singers Irina Arkhipova, Galina Vishnevskaya, Montserrat Caballé, Sergei Lemeshev, Elena Obraztsova, Dmitry Hvorostovsky, Maria Guleghina, Placido Domingo, Jonas Kaufmann, Sergei Leiferkus, pianists Emil Gilels, Van Cliburn, Heinrich Neuhaus, Nikolai Petrov, Sviatoslav Richter, Maria Yudina, Valery Afanassiev, Boris Berezovsky, Elisso Virsaladze, Yevgeny Kissin, Nikolai Lugansky, Denis Matsuev and Grigory Sokolov, violinists LeonidKogan, Yehudi Menuhin, David Oistrakh, Boris Belkin, Maxim Vengerov, Gidon Kremer, Victor Pikaysen, Vadim Repin, Vladimir Spivakov and Victor Tretyakov, violist Yuri Bashmet , cellists Mstislav Rostropovich, Natalia Gutman, Alexander Knyazev and Alexander Rudin, as well as Sveshnikov State Academic Russian Choir and Yurlov State Academic Choir Capella of Russia.

In recent years, the list of soloists collaborating with the ensemble has been recruited with the names of such singers as Ildar Abdrazakov, Dinara Alieva, Aida Garifullina, Khibla Gerzmava, Dmitry Korchak, Elisabeth Kulman, Jose Kura, Vasily Ladyuk, Julia Lezhneva, Waltraud Meier, Anna Netrebko and Rene Pape, pianists Marc-Andre Hamelin, Leif Ove Andsnes, Rudolf Buchbinder, Simon Trpceski, Jean-Yves Thibaudet and Mitsuko Uchida, violinists Kristof Barati, Ilya Gringolts, Alina Ibragimova, Leonidas Kavakos, Patricia Kopatchinskaya, Sergei Krylov, Julian Rakhlin, Julia Fischer, Thomas Zehetmair, Nikolai Znaider and Pinchas Zuckerman, violist Maxim Rysanov. Considerable attention is also paid to joint work with young musicians, including conductors Maxim Emelyanychev, Dmitry Matvienko, Marius Stravinsky, Valentin Uryupin and Philipp Chizhevsky, pianists Andrei Gugnin, Lucas Debargue, Philipp Kopachevsky and Dmitry Masleyev, violinists Alena Baeva, Pavel Milyukov and Aylen Pritchin, cellist Alexander Ramm.

Having visited abroad for the first time in 1956, the orchestra has since represented Russian art in Australia, Austria, Belgium, Hong Kong, Denmark, Italy, Canada, China, Lebanon, Mexico, New Zealand, Poland, USA, Thailand, France, Czechoslovakia, Switzerland, South Korea, Japan and many other countries.

The discography of the ensemble includes hundreds of LP records and CDs released by leading recording companies in Russia and abroad (Melodiya, Bomba-Peter, Delos, Deutsche Grammophon, EMI Classics, BMG, Naxos, Chandos, Musikproduktion Dabringhaus und Grimm, BelAir, ICA Classics, Pentatone, Toccata Classics, Fancymusic and others). A special place in this collection belongs to the Anthology of Russian Symphonic Music, which includes audio recordings of works by Russian composers from Glinka to Stravinsky (conducted by Yevgeny Svetlanov). The TV channels such as Mezzo, medici.tv, Russia-1 and Kultura, radio Orpheus made recordings of the orchestra’s concerts.

Recently, the State Orchestra performed at the G. Enescu Festival in Bucharest, Another Space, Universe is Svetlanov! festivals and the XIV Guitar Virtuosos Moscow International Festival, Summer. Music. Museum  Festival in Istra; performed world premieres of works by Alexander Vustin, Victor Yekimovsky, Efrem Podgaits, Sergei Slonimsky, Vladimir Nikolaev, Alexei Retinsky, as well as Russian premieres of works by John Adams, Brett Dean, Gerard Grisey, Victor Kissin, Gyorgy Kurtag, Valentin Silvestrov, Olivier Messiaen, Rodion Shchedrin, Carl Orff, Vladimir Tarnopolsky and Karlheinz Stockhausen; took part in the  International Tchaikovsky Competition, the Grand Piano Competition for young pianists; presented the annual cycle of Stories with Orchestra educational concerts eight times; visited the cities of Russia, Austria, Argentina, Brazil, Greece, Great Britain, the Netherlands, Peru, Uruguay, Chile, Germany, Spain, Romania, Turkey, China, Japan. Chamber evenings with the participation of soloists of the orchestra are also regularly held.

Since 2016, the State Orchestra has been implementing a special project to support professional composer creativity involving close cooperation of the ensemble with contemporary Russian authors. The first in the history composer in residence was Alexander Vustin. For outstanding creative achievements, the collective has been bearing the honorary title of “academic” since 1972; in 1986 it was awarded the Order of the Red Banner of Labor, in 2006, 2011 and 2017 it dignified the gratitude of the President of the Russian Federation.

One of today’s most sought-after conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment, Vladimir Jurowski was born in Moscow in 1972, and completed the first part of his musical studies at the Music College of the Moscow Conservatory. In 1990 he relocated with his family to Germany, continuing his studies at the Musikhochschule of Dresden and Berlin, studying conducting with Rolf Reuter and vocal coaching with Semion Skigin. In 1995 he made his international debut at the Wexford Festival conducting Rimsky-Korsakov’s May Night, and the same year saw his debut at the Royal Opera House Covent Garden with Nabucco.

Jurowski is Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin. He takes up the position of General Music Director of the Bayerische Staatsoper in Munich from the 2021/22 season, stepping down from his highly-acclaimed fifteen year tenure as Principal Conductor of the London Philharmonic Orchestra, to become their Conductor Emeritus. In addition he holds the titles of Principal Artist of the Orchestra of the Age of Enlightenment, and Artistic Director of the George Enescu International Festival, Bucharest. He has previously held the positions of First Kapellmeister of the Komische Oper Berlin (1997–2000), Principal Guest Conductor of the Teatro Comunale di Bologna (2000–2003), Principal Guest Conductor of the Russian National Orchestra (2005–2009), Music Director of Glyndebourne Festival Opera (2001–2013) and Artistic Director of the Russian State Academic Symphony Orchestra (2011–2021). 

Vladimir Jurowski enjoys close relationships with the world’s most distinguished artistic institutions, and has collaborated with many of the world’s leading orchestras including the Chamber Orchestra of Europe, the Royal Concertgebouw Orchestra, the Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Cleveland and Philadelphia Orchestras, New York Philharmonic, Chicago and Boston Symphonies, and the Berlin and Vienna Philharmonic Orchestras. He is a regular guest at the BBC Proms, Musikfest Berlin, and the Dresden, Lucerne, Schleswig Holstein, Grafenegg and Rostropovich Festivals. 

A committed operatic conductor, Jurowski’s recent highlights include Die Frau ohne Schatten in Berlin and Bucharest with the Rundfunk-Sinfonieorchester, semi-staged performances of Wagner’s Das Rheingold, Die Walkure and Siegfried with the London Philharmonic, Wozzeck, Der Rosenkavalier and Prokofiev’s The Fiery Angel at the Bayerische Staatsoper, Henze’s The Bassarids and Schoenberg’s Moses und Aron at the Komische Oper Berlin, his acclaimed debut at the Salzburg Festival with Wozzeck, and his first return to Glyndebourne as a guest conductor, in the world premiere production of Brett Dean’s Hamlet. He has conducted Parsifal at the Welsh National Opera, War and Peace at the Opera National de Paris, Eugene Onegin at Teatro alla Scala Milan, Ruslan and Ludmila at the Bolshoi Theatre, and Iolanta and Der Teufel von Loudon at the Semperoper Dresden, as well as Die Zauberflöte, La Cenerentola, Otello, Macbeth, Falstaff, Tristan und Isolde, Die Meistersinger von Nurnberg, Don Giovanni, The Rake’s Progress, The Cunning Little Vixen, Ariadne auf Naxos and Peter Eötvös’ Love and Other Demons at Glyndebourne Opera. 

In the 2021/22 season, Jurowski returns to the Staatskapelle Dresden, conducts new productions of Shostakovich’s The Nose, and Penderecki’s Die Teufel von Loudun at the Bayerische Staatsoper, and showcases a wealth of symphonic repertoire from Mozart, Liszt, Enescu and Elgar, to Suk, Britten, Nikodijevic and Firsova, with particular focuses on Stravinsky, Prokofiev and Bruckner with the Rundfunk-Sinfonieorchester, and Shostakovich and Mahler with the Bayerisches Staatsorchester. 

Jurowski’s discography with the London Philharmonic Orchestra includes the complete symphonies of Brahms and Tchaikovsky, and works ranging from Haydn and Beethoven, through Mahler, Zemlinsky, Holst, Rachmaninov, and Szymanowski, to Turnage, Denisov, Martynov and Silvestrov. For Pentatone Records he has recorded Schnittke’s Third Symphony, Mahler’s Totenfeier and Das Lied von der Erde, and Strauss’s Also Sprach Zarathustra with the Rundfunk-

Sinfonieorchester Berlin, Tchaikovsky’s ballets and an ongoing series of Prokofiev symphonies with the State Academic Symphony of Russia and a series of Russian works with the Russian National Orchestra, and for Hyperion works by Mendelssohn and Mahler with the Orchestra of the Age of Enlightenment, and Shostakovich’s violin concertos with the State Academic Symphony of Russia. His tenure as Music Director at Glyndebourne has been documented in numerous CD and DVD releases including award-winning productions of Tristan und Isolde, Die Meistersinger von Nurnberg, Ariadne auf Naxos, Falstaff, La Cenerentola, Rachmaninov’s The Miserly Knight and Prokofiev’s Betrothal in a Monastery. Other DVD releases include Hansel und Gretel from the Metropolitan Opera New York, his first concert as London Philharmonic Orchestra’s principal conductor featuring works by Wagner, Berg and Mahler, and DVDs with the Orchestra of the Age of Enlightenment (Beethoven symphonies 4 and 7) and the Chamber Orchestra of Europe (Strauss and Ravel), all released by Medici Arts.

Violinist Patricia Kopatchinskaja's repertoire ranges from baroque and classical (often played on gut strings) to new commissions or re-interpretations of modern masterworks.

2014/15 sees Kopatchinskaja make her debut with the Berliner Philharmoniker performing Peter Eötvös’ DoReMi under the baton of the composer as part of Musikfest Berlin. She also performs the concerto at the Dialoge Festival of Salzburg’s Mozarteum. Other highlights this season include her debut with the Tonhalle-Orchester Zürich and performances with the Rotterdam Philharmonic Orchestra, Radio-Sinfonieorchester Stuttgart des SWR/Sir Roger Norrington and the Philharmonia Orchestra/Vladimir Ashkenazy. She is also Artist-in-Residence with the hr-sinfonieorchester, in concerts conducted by Philippe Herreweghe, Roland Kluttig and Andrés Orozco-Estrada.

In spring 2015 Kopatchinskaja tours Switzerland with the Royal Stockholm Philharmonic Orchestra under Sakari Oramo and the Netherlands and France with the Orchestre des Champs-Élysées and Philippe Herreweghe. She also performs Gubaidulina’s Offertorium on a major European tour with NDR Sinfonieorchester and Thomas Hengelbrock. Kopatchinskaja was recently named as Artistic Partner of the Saint Paul Chamber Orchestra and her first performance in this role in November 2014 combined traditional folk music with classical works.

Last season’s highlights included debut performances with the Symphonieorchester des Bayerischen Rundfunks at Munich’s Musica Viva Festival, with Akademie für alte Musik Berlin under René Jacobs and Musica Aeterna ensemble with Teodor Currentzis. She also performed at the closing concerts of Lincoln Center’s Mostly Mozart Festival and appeared with the London Philharmonic Orchestra/ Vladimir Jurowski at the Edinburgh International and Santander festivals.

Chamber music is of immense importance to Kopatchinskaja and she performs regularly with artists such as Sol Gabetta, Markus Hinterhäuser and Polina Leschenko as well as members of her own family. She is also a founding member of the highly acclaimed quartet-lab, a string quartet with Pekka Kuusisto, Lilli Maijala and Pieter Wispelwey. In autumn 2014 the quartet undertook their second major tour with performances at Vienna’s Konzerthaus, London’s Wigmore Hall, Amsterdam’s Concertgebouw, and Konzerthaus Dortmund.

A prolific recording artist, Kopatchinskaja’s recent releases for Naïve Classique include violin concerti by Prokofiev and Stravinsky with the London Philharmonic Orchestra/Vladimir Jurowski, and concerti by Bartók, Ligeti and Peter Eötvös with hr-Sinfonieorchester/Ensemble Modern. The latter recording won Gramophone’s Recording of the Year Award in 2013, as well as an ICMA Award, ECHO Klassik Award and a 2014 Grammy nomination. She also received an ECHO Klassik Award in the chamber music category for her 2009 recording of sonatas by Beethoven Ravel, Bártok & Fazil Say. She has also recorded works by Tigran Mansurian and Ustvolskaya for ECM Records.

The winner of numerous prizes during her career, Kopatchinskaja was recently named by the Royal Philharmonic Society as their Instrumentalist of the Year in 2014 for ourstanding live performances in the UK.

Patricia Kopatchinskaja plays a violin made by Giovanni Francesco Pressenda in 1834. She is a goodwill ambassador for the charity Terre des Hommes, through which she supports projects for children in Moldova.