Natalia (who is a descendant of Russian national poet Alexander Pushkin) graduated from Tchaikovsky State Conservatory of Moscow and the Russian Academy of Treatre Arts under the prominent stage director and screenwriter, Roman Viktyuk,. She also took private lessons with Professor G.M. Troyanova of the Salzburg Mozarteum, and with professor P.A. Kudriavchenko.
From 2006-2013 she performed at the School of Dramatic Arts Moscow Theater as singer and actress, having participated in such productions as The Guest of Stone, or Don Juan Is Deaddirected by Anatoly A. Vasiliev; Gibraltar; and the operatic mono-play Letter, both directed by Constantine S. Mishin, while continuing her belle canto training under Andrei G. Nashchokin and the maestro Marcello Lippi.
She was the winner of the 2008 Festos Students’ Competition, a Diploma holder of the International School of Vocal Skills and of Academy “Santa Croce” in Trieste. She is soloist at the Moscow philharmonics and the Opus Posth Ensemble. In 2017, she was awarded the Silver Lion at the Narnia Festival.
In summer 2013, at the Chaikovsky Concert Hall of Moscow she performed the parts of Xenia in Prokofiev’s Boris Godunov and Cordelia in Shostakovitch’s King Lear with the Svetlanov Symphony Orchestra and the Moscow Conservatory Chamber Choir, along with the bass Maxim Mikhailov; Vladimir Yurovsky conducting
She has performed with such orchestras as the Svetlanov Symphony Orchestra directed by Vladimir Yurovsky; the Opus Posth Academy of Antique music directed by Tatiana Grindenko; the Musica Viva orchestra; the Mikhailovsky Theater orchestra; the Chaikovsky State Conservatory of Moscow orchestra; the Shostakovich State Philharmonics of San Petersburg orchestra; the Kaliningrad Philharmonics orchestra; Moscovia Chamber orchestra; Orchestra Di Padova e del Veneto; Orchestra Dei Marsi, the Corelli orchestra; Dell Opera di Volterra; Orchestra Classica Italiana; Ghironda orchestra, etc.
In 2003-2018, Ms. Pavlova performed on various concerts stages in Moscow (Moscow Chaikovsky State Conservatory Great Hall, Tchaikovsky Concert Hall, The International House of Music, etc.); in St. Petersburg (Shostakovich Philharmonics Great Hall, the Maltese Temple etc.); Kaliningrad (Kant Cathedral); Ulan Ude Philharmonics Great Hall; Philharmonics of Petrosavodsk; and in other cities of Russia.
She has performed in Rome (Auditorium Parco della Musica, Capitol of Rome, Greater Roman Basilicas, Palazzo POLI-la Sala Dante), Narni (the Opera theater of G. Manini), as well as in Venice, Florence, Vienna, Bern, Zurich, Peruggia, Pescara, Fermo, Capri, Cyprus, Split, Dusseldorf, Frankfurt, Spalato, Geneva, and other cities European cities.
Natalia Pavlova has collaborated with such musicians as Vladimir Yourovsky, Teodor Kurendsis, Giovanni Sollima, Sergei Krylov, Nando Citarella, Marco Celli Stein, Monica Lescovar, Marcello Lippi, Fabrizio Bosso, Y. Medianik, Antonio Pantaneschi, Carlo Torriani, Angelo Nardinocchi, Gustavo Tavares,Cristiana Pegoraro, Lorenzo Porzio, Tatiana Grindenko, T. Kuindzhi, M. Arkadiev, M. Mihailov, P. Aidu, Ye. Petrov, A. Goribol, E. Revich, R. Komachkov,N. Rubinstein,D. Cheglakov, Greta Cipriani, Kaori Matsui, Sergio Lastella, K. Volosnikov, et al.
She has performed with the Russian poet Vera Pavlova in the poetic musical programs :Mothers and Daughters, Letters to the Room Next Door, Children’s Album of Tchaikovsky (at the International House of Music in Moscow). Twice she has been a guest of Caffè Rai 1 Italian television with her mother. Her recital served as the opening event at the Big Antological Exibition of Domenico Colantoni, organized by David Colantoni in Avezzano in Ex Montessori.
Natalia also is an ardent performer of contemporary music. She has recorded 2 CDs with Iraida Yusupova‘s compositions in collaboration with Natalia Rubinshtein and Brahms-trio, and with D. Cheglakov and K. Lukinov (including Dreams follower based on David Colantoni‘s poems’ ). She also recorded Venus Rey‘s compositions, 3 Bachiane mexicane, with Orchestra del Veneto e di Padova. Venus Rey composed, especially for Natalia, a new cycle for voice and orchestra, Pavlova’s song after the verses of Vera Pavlova; the world premiere was performed with a great success at the International House of Music in Moscow. During her performing tour in Ulan Ude, she performed, with Opus Posth, Martynov’s Opus Prenatum and Passionslieder by the same composer at his festival Martynov at the Museum of Multimedua in Moscow, also with Opus Posth directed by Tatiana Grindenko.
She also sang The Brazilian Bachiana of Villa Lobos at the Music Masters International Festival in Moscow directed by Giovanni Sollima; with the cello orchestra conducted by Giovanni Sollima she sang Vivaldi`s aria at the Memorial event organized by David Colantoni in the Capitol of Roma, Music in Memoriam of Aldo Rosselli and Rosselli’s family. She sang the world premiere of the new version of Viaggio in Italia by Giovanni Sollima, composed especially for her type of voice, at the International House of Music in Moscow.
She has participated in many international festivals, such as December Evenings in Kaliningrad; Music masters, Sounds of Moscow, the Mysteriograph, Festival of Martynov in Moscow; Karelia's Lire in Petrozavodsk; 11 lunes a Volterra; Narnia Festival, Cypress International Festival dedicated to Stanislavsky; etc. She performed Monooperas La voix humaine of Francis Poulenc and "The wating" at the Electrotheatre and DOM in Moscow, at the Koenigsberg Cathedral; at the Sala di Immacolata in Rome; etc.
In 2017, Natalia joined the Organizing Committee and the Artistic Council of The First Cultural International Festival, Russian Rome, at Palazzo Poli in Rome.