Сара Флор, профессор визуальных искусств Университета Сакраменто (США) – один из ярких представителей калифорнийской школы современного живописи. Ее творчество соединяет высокие традиции европейского Ренессанса и интеллектуальный опыт художественных стратегий. Образы Сары Флор пронизаны особым гармоническим чувством, они содержат в себе глубокое этическое начало и трепетность одухотворенной живописной материи.
Education:
1991-1993: Yale University, School of Art, New Haven, CT; M.F.A., May 1993
1986-1988: Kunstakademie Düsseldorf, Germany; Painting
1984-1986: Art Institute of Chicago, IL; B.F.A., May 1986
Solo Exhibitions:
2007: “Celestial Drift”, M’ARS Gallery & the National Centre for Contemporary Art, Moscow, Russia
2005: “Close to Not,” State Russian Museum, (sound V. Tarasov), St. Petersburg, Russia
“Drawings”, Lina Perlova Gallery, Bulthaup Center, St. Petersburg, Russia
1996: “Installation auf der Wiese,” Schloss Solitude, (sound: V. Tarasov), Germany
1995: “Christophstollen,” Pfaffensee, Stuttgart, Germany
1993: Robert Else Gallery, California State University, Sacramento
1990: Mont du Plan, Ecole de beaux-arts de Nîmes, France
Group Exhibitions:
2007: “Architecture: ad marginem,” Marble Palace at the State Russian Museum, St. Petersburg, Russia
2003: “Faculty Show,” California State University, Sacramento
1997: “Kykart-III,” International Art Festival, St. Petersburg, Russia
1995: Villa Franck, Kunstverein Ludwigsburg, Ludwigsburg, Germany
1995: Faculty Show, Yale University, School of Art
1993: Burek, Flohr, Farrell,Van Dyke, Yamada; A & A Gallery, New Haven, CT
1990: Rundgang, Kunstakademie Düsseldorf, Germany
Scholarships and Awards:
2007: Research and Creative Activity Award: California State University, Sacramento
2004: Travel Grant, California State University, Sacramento
2003: Global Education Grant, California State University, Sacramento
1996: Grant/Residency, Akademie Schloss Solitude, Stuttgart, Germany
1994-1995: Grant/Residency, Akademie Schloss Solitude, Stuttgart, Germany
1993-1994: Fulbright Scholarship, Marseille, France
1993-1994: Annette Kade Fellowship, Marseille, France
1993: Winsor Newton Prize for Excellence in Painting, Yale University, School of Art
1990: Residency, Ecole de Beaux Arts de Nîmes, France
1984-1986: Merit Scholarship, Art Institute of Chicago, IL
Teaching:
2009: FACULTY (summer), Yale Summer Session, Auvillar, France
2007/2008: FACULTY (summer), Pont-Aven School of Contemporary Art, Pont-Aven, France
2002-Present: ASSOCIATE PROFESSOR, PAINTING AND DRAWING, California State University, Sacramento
1995-1999: LECTURER IN PAINTING, Yale University, School of Art, New Haven, CT
1995: SLIDE LECTURE, University of Michigan, Ann Arbor
1994 (March 26-27): FULBRIGHT GUEST LECTURER, Institute Rousillion/Colorado, Perpignan France
1993: ASSISTANT INSTRUCTOR, Yale University, School of Art, New Haven, CT
Taught Basic Drawing with Professor Robert Reed.
1992 Summer: TEACHING FELLOWSHIP, School of Art and Music, Yale University
Taught Painting in the summer program at Norfolk, CT.
Selected Bibliography:
2007: Solovjev, Sergey, “Optical Sound.” Novye Izvestiaja, (July 2007)
2007: Vasiljeva, Jane, “Up the Magic River,” Itogi #30, (July 2007)
2005: Filipp Kostrits, “Close to Not; Трудности Перевода”, Red (July/August 2005)
2005: Anna Tolstoyva, “Не Сочтите За Пруд”, Commercant, (18 June)
2005: Olga Horoshylo, “Обман Зрения“, Time Out Peterburg, (June 2005)
2002: Bob Sylva. “Drawing Power,” Sacramento Bee ( 3 October))
1996: Sibylle Berg. “Schloss der Spinner,” Marie Claire (May)
1996: Werner Irro. “Alte und Neue Geschicten” TWS Magazin (July/ August)
1996: Hans Kumpf. “Klingender Baum, Wasserreflexe,” Marbacher Zeitung (31 July)
1996: Hans Kumpf. “Einklang mit der Natur,” Bietigheimer Zeitung (9 August)
1996: Stuttgarter Nachrichtung (7 August)
1995: Pol. “Zauber der Tiefe,” Stuttgarter Zeitung (24 July)
1995: Sybille Schurr. “Hinab ins Kühle Unterirdische,” Leonberger Kreiszeitung (22 July)
1995: Karin Stellweg. “Visuelle Gedichte in Wandformat,” Stuttgarter Zeitung (10 March)
1995: Andrea Kachelriess. “Ornament und Sinn,” Stuttgarter Nachrichtung (8 February)
1995: Zeller. “Ornamentales und Erinnerungsträchtiges der Objekte,” LKZ (16January)
1994: Johannes Gachnang, “l’art est un jeu comme l’amour et le sport”, catalogue, Kunstverein Ludwigsburg (1994)
