For some, he is the ‘enfant terrible’ of
classical music. For others, he is a
true musician-choreographer endowed with an extraordinary sense of rhythm and
physical elation.
Originally a violinist, his passion for all
kinds of musical expression led him to study conducting at a young age. From
his very first concerts, he sought to decompartmentalise the different types of
music: he became a “period instrumentalist to the modernists, and a modernist
to the period instrumentalists”.
Passionate about chamber music and ensemble music, he founded the
Matheus Quartet in 1991.
For this Corsican musician adopted into
Brittany, his regional presence is of the greatest importance. It was at the Quartz in Brest that the Matheus
Quartet became the Matheus Ensemble.
In 2005, his passionate research into period
music led him to make a series of recordings with the Ensemble Matheus of
Vivaldi’s previously unrecorded works.
They released a number of albums and four opera recordings which quickly
became legendary, receiving great critical acclaim around the world.
Over the course of a variety of engagements,
Jean-Christophe Spinosi has embarked on musical collaborations with like-minded
artists who also wanted to breathe new life and passion into classical music;
artists such as Cecilia Bartoli, Marie-Nicole Lemieux, Natalie Dessay and
Philippe Jaroussky, with whom he recorded the Double Gold-selling album
‘Heroes’ for EMI-Virgin Classics.
In founding the Ensemble Matheus, Jean-Christophe
Spinosi created the only specialised ensemble of international standing to be
born in the region of Brittany, and the ensemble is in residence at the Quartz
in Brest, its ‘town of birth’. Since
2007 Spinosi has conducted his ensemble in a new production each year at the
Théâtre du Châtelet
in Paris.
Spinosi has worked with some of the most
imaginative directors on the international scene, such as Pierrick Sorin
(Rossini’s La pietra del Paragone in
2007), Oleg Kulik (Monteverdi’s Vespers
of the Blessed Virgin Mary in 2009) and Claus Guth (Handel’s Messiah at the Theater an der Wien in
2009). For his production of Orlando Paladino, Jean-Christophe is
once again reaching out to new audiences by teaming up with Director Kamel
Ouali.
His productions at the Opéra de Paris and the
Théâtre des Champs-Elysées have been met with similar
critical acclaim, the most recent being his well-researched performances of
Mozart’s Die Zauberflöte.
Italian mezzo-soprano Cecilia Bartoli invited
Jean-Christophe Spinosi and the Ensemble Matheus to perform a series of concerts
with her in June 2011. Their fruitful collaboration grew into a European tour
of concerts in Munich, Prague, Baden-Baden and at the Château de Versailles.
Jean-Christophe Spinosi works regularly with
many orchestras, among them the Wiener Staatsoper, the Deutsches Symphonie
Orchester at the Berlin Philharmonie, the Orchestre Philharmonique de
Monte-Carlo, the Frankfurt Radio Symphony Orchestra, the Orchestre du Capitole
de Toulouse, the Scottish Chamber Orchestra, the New Japan Philharmonic, the
Royal Stockholm Philharmonic Orchestra, the Rundfunk Sinfonie Orchester Berlin,
the Orquesta de Castilla y Leon, the Wiener Symphoniker or Spain’s Orquesta
Nacional, and collaborates with the City of Birmingham Symphony Orchestra, the
NDR Radiophilharmonie Hannover, the Mozarteum Orchester Salzburg, the Verbier
Festival Chamber Orchestra and the Orchestre de Paris.
The 2013-2014 season will see his continued
association with Cecilia Bartoli in the Rossini cycle, with Otello at the Théâtre des Champs-Elysées
in Paris, La Cenerentola in Salzburg
–Whitsun and summer– and Italiana in
Algeri in Dortmund. In addition, he has given a new performance of La Pietra del Paragone at the Théâtre du
Châtelet in Paris in January 2014, following the fifteen exceptional French
performances of Handel’s Orlando
scheduled for this autumn (in Lorient, Brest, Rennes, Toulouse and Versailles).
He will appear next season at the Theater an
der Wien for Bizet’s Pêcheurs de Perles,
or at the Châtelet for Mozart’s Il re
pastore.
His last recording by Deutsche Grammophon
“Miroirs” has been acclaimed by Diapason and with a “Choc” from Classica.