Andrey Gugnin, Mikhail Pochekin,
Svetlanov Symphony Orchestra, Dmitry Matvienko

Moscow-born concert pianist Andrey Gugnin is rapidly gaining international acclaim as a passionately virtuosic performer, who possesses an “extraordinarily versatile and agile technique, which serves an often inspired musical imagination” (Gramophone). In 2020, the BBC Music Magazine Awards named Gugnin the winner of the Instrumental Award for his recording Shostakovich: 24 Preludes – Piano Sonatas 1 & 2 (Hyperion). Since winning the prestigious Sydney International Piano Competition in 2016, Gugnin has gone from strength to strength in concerts and recordings which exhibit his impassioned interpretations. 

In addition to winning in Sydney, Gugnin also received prizes at this illustrious competition for Best Overall Concerto, Best 19th/20th Century Concerto, Best Violin and Piano Sonata, and Best Preliminaries for his first-round recital. His also won the Gold Medal and Audience Award at the XCI International Gina Bachauer Piano Competition in 2014, and second prize at the 2013 Beethoven International Piano Competition in Vienna.

Increasingly in demand as a concerto soloist, Gugnin has been invited to perform as a guest artist with notable orchestras worldwide, such as the London Philharmonic Orchestra, the Mariinsky Symphony Orchestra, the State Academic Symphony Orchestra of Russia, the Netherlands Symphony Orchestra, Utah Symphony, West Australian Symphony Orchestra and the Sydney Symphony, and has performed under the distinguished batons of Maestro Valery Gergiev, Jaap Van Zweden, Reinbert de Leeuw, Daniel Raiskin, Stanislav Kochanovsky and Asher Fisch. He has also collaborated in a more chamber context with the Asko Schönberg ensemble, Orchestre de Chambre de Genève, Jerusalem Camerata and Camerata Salzburg and on several occasions as the duo partner of violinist Tasmin Little. 

As a recording artist, Gugnin has published a broad scope of repertoire ranging from solo piano to symphonic works. His release of Liszt’s Transcendental Etudes (Piano Classics, 2018) were commended as Editor’s Choice, and distinguished Gugnin as “one to watch” (Gramophone). Other notable recordings include his duo programme with violinist Ioana Cristina Goicea (Atoll Records, 2019), an inspired selection of solo piano suites entitled Pictures (Steinway & Sons, 2016), and a collection of piano duets with Vadim Kholodenko (Delos International, 2010). Andrey has also extensively recorded for TV and radio in Russia, The Netherlands, Croatia, Austria, Australia, Switzerland and the USA. 

In addition to these recordings, Gugnin’s Shostakovich Concertos (Delos International, 2007) were selected to feature on the soundtrack of Steven Speilberg’s Oscar®-winning film Bridge of Spies. 

Gugnin’s expanding list of performance venues include Vienna’s Musikverein, Victoria Hall in Geneva, Carnegie Hall in New York, Abravanel Hall in Salt Lake City, Sydney Opera House, the Great Hall of the Moscow State Conservatory, the Tchaikovsky Concert Hall in Moscow, Mariinsky Concert Hall, the Louvre in Paris, Tokyo Metropolitan Art Space and Asahi Hamarikyu Hall. Gugnin has also participated in a plethora of international festivals, including Verbier, Klavier Festival Ruhr, Mariinsky International Festival, Dubrovnik Summer Festival, the Ohrid Summer Festival and the Duszniki Chopin International Festival. 

In 2020, as allowed by the covid pandemic, Gugnin embarked on performing numerous solo recitals at prestigious venues in Russia, as well as showcasing a new concerto by Alexey Shor in Armenia. Gugnin joined Tasmin Little in her farewell concert at the Southbank Centre as one of her four favourite pianists to collaborate with, which was broadcast live on BBC Radio 3 and for which Andrey was praised for his “emphatic, mesmerising playing” (Bachtrack). He continued his collaboration with Hyperion, recording his next CD of solo works for release in 2022. 

Gugnin took his first lessons with Natalia Smirnova, who laid the foundations for study with Olga Mechetina, Valery Kastelsky, Lev Naumov, Stanislav Ioudenitch, William Naboré and Vera Gornostayeva.

Mikhail Pochekin was born in 1990 into a musical family, his father being the famous violin maker Yuri Pochekin, and his mother, Elena Pochekina, a violin teacher. From the age of 5 he studied with Galina Turchaninova, then improved his skills under the tutelage of Viktor Tretyakov, Anna Chumachenko and Rainer Schmidt at the Higher Schools of Music in Cologne, Munich and Madrid, Mozarteum University Salzburg and The City of Basel Music Academy. The musician also attended master classes by Christian Tetzlaff. 

Mikhail Pochekin has won awards and special prizes at numerous international competitions, including Andrea Postacchini Violin Competition in Fermo (Italy, 2007), Rodolfo Lipizer Prize International Violin Competition in Gorizia (Italy, 2008), Jascha Heifetz competition in Vilnius (Lithuania, 2009), Pablo Sarasate International Violin Competition in Pamplona (Spain, 2009), and Ruggiero Ricci Competition in Salzburg (Austria, 2015). In 2008, he was awarded Pablo Sarasate Prize and was invited by the Madrid Conservatory to appear in a concert playing the famous Boissier violin by Antonio Stradivari, previously owned by Sarasate. 

Touring extensively in Russia, Spain, Croatia, Germany, Austria, Switzerland, Italy, France, Turkey, Ukraine and other countries, Mikhail Pochekin has appeared in Moscow and St. Petersburg Conservatories, Tchaikovsky Concert Hall, Rachmaninoff Concert Hall (Philharmonic-2), Mariinsky Theatre Concert Hall, National Music Auditorium in Madrid, Palau de la Música de València, Auditorium in Zaragoza, Munich and Cologne Philharmonic Halls, Gasteig Cultural Center in Munich, Laeiszhalle in Hamburg, and Salzburg Mozarteum. The musician has also been a guest of famous festivals, including the Kronberg Academy Festival, AlpenKlassik Festival in Bad Reichenhall (Germany), Schubertíada in Vilabertran (Spain) and Sofia Gubaidulina International Festival of Contemporary Music Concordia in Kazan. A regular participant of Stars of the 21st Century, a joint project of the Moscow Philharmonic Society and the Russian Ministry of Culture, the violinist has toured over 40 Russian cities with the project. 

Mikhail Pochekin has collaborated with the Svetlanov Symphony Orchestra, Moscow Philharmonic Orchestra, Russian National Orchestra, National Philharmonic Orchestra of Russia, Mariinsky Symphony Orchestra, Novaya Rossiya State Symphony Orchestra, Moscow State Symphony Orchestra under Pavel Kogan, Ural Philharmonic Orchestra, Tatarstan National Symphony Orchestra, Lithuanian National Symphony Orchestra, Sinfonieorchester Basel, the Navarre Symphony Orchestra, Stuttgarter Kammerorchester, Württemberg Philharmonic Orchestra in Reutlingen, and Dubrovnik Symphony Orchestra, appearing under renowned conductors including Vassily Sinaisky, Yury Simonov, Alexander Sladkovsky, Sergey Skripka, Valery Polyansky, Alexander Slutsky, Stanislav Kochanovsky, Juozas Domarkas, Heinz Holliger, Ilmar Lapins, Kevin Griffiths, Bojan Suđić, Mikhail Agrest, and Gavriel Heine. 

On the stage, Mikhail Pochekin partners closely with Wen Sinn Yang, Christian Tetzlaff, Kian Soltani, Christian Brembeck, Benedict Kloeckner, Kiveli Dörken, Petrit Çeku, Rainer Schmidt, Anna Chumachenko, Alexander Ramm and other soloists. For years, the violinist has performed in a duo with the pianist Yury Favorin. 

Concerts with his brother, violinist and viola player Ivan Pochekin, are of special importance to Mikhail Pochekin. In 2017, Melodiya released The Unity of Opposites, the Pochekin brothers’ joint album featuring works by Michael Haydn, Wolfgang Amadeus Mozart, Reinhold Glière, and Sergey Prokofiev. Two years later, the artist recorded a CD with Bach violin sonatas and partitas for Solo Musica, Germany. 

Looking forward, the musician plans to continue performing with the Moscow State Symphony Orchestra under Pavel Kogan, Svetlanov Symphony Orchestra, Die Neubrandenburger Philharmonie (Germany) and other orchestras.

State Academic Symphony Orchestra of Russia (Svetlanov Symphony Orchestra) is one of the oldest symphony ensembles in the country: in 2021 it has celebrated its 85th anniversary. The first performance of the orchestra conducted by Alexander Gauk and Erich Kleiber, took place on October 5th, 1936 in the Great Hall of the Moscow Conservatory.

Over the years, the State Orchestra was directed by outstanding musicians: Alexander Gauk (1936–1941), Natan Rakhlin (1941–1945), Konstantin Ivanov (1946–1965) and Yevgeny Svetlanov (1965–2000). In 2005, the ensemble was named after Yevgeny Svetlanov. In 2000–2002, the orchestra was headed by Vasily Sinaisky, in 2002–2011 – by Mark Gorenstein, in 2011–2021 – by Vladimir Jurowski, in 2021–2022  by Vasily Petrenko. Since 2024, Philipp Chizhevsky has been Artistic Director of the orchestra.

The orchestra’s concerts were held at the most famous concert venues in the world including the Great Hall of the Conservatory, the Tchaikovsky Concert Hall, the Bolshoi Theater of Russia, the Column Hall of the House of Unions, the State Kremlin Palace in Moscow, Carnegie Hall in New York, the Kennedy Center in Washington, the Musikverein in Vienna, the Royal Albert Hall in London, the Pleyel in Paris, the Colon National Opera in Buenos Aires, the Suntory Hall in Tokyo. In 2013, the orchestra for the first time performed in the Red Square in Moscow.

Herman Abendroth, Ernest Ansermet, Leo Blech, Nikolai Golovanov, Kurt Sanderling, Otto Klemperer, Kirill Kondrashin, Lorin Maazel, Kurt Mazur, Nikolai Malko, Igor Markevich, Yevgeny Mravinsky, Charles Munch, Gennady Rozhdestvensky, Mstislav Rostropovich, Saulus Sondeckis, Igor Stravinsky, Mariss Jansons, Andrey Boreyko, Alexander Vedernikov, Valery Gergiev, Charles Dutoit, Alexander Lazarev, Alexander Sladkovsky, Leonard Slatkin, Yuri Temirkanov, Thomas Zehetmair, Mikhail Jurowski, Neeme Jarvi and other outstanding conductors directed at the conductor's desk of the orchestra.

Famous musicians and ensembles performed with the orchestra including singers Irina Arkhipova, Galina Vishnevskaya, Montserrat Caballé, Sergei Lemeshev, Elena Obraztsova, Dmitry Hvorostovsky, Maria Guleghina, Placido Domingo, Jonas Kaufmann, Sergei Leiferkus, pianists Emil Gilels, Van Cliburn, Heinrich Neuhaus, Nikolai Petrov, Sviatoslav Richter, Maria Yudina, Valery Afanassiev, Boris Berezovsky, Elisso Virsaladze, Yevgeny Kissin, Nikolai Lugansky, Denis Matsuev and Grigory Sokolov, violinists LeonidKogan, Yehudi Menuhin, David Oistrakh, Boris Belkin, Maxim Vengerov, Gidon Kremer, Victor Pikaysen, Vadim Repin, Vladimir Spivakov and Victor Tretyakov, violist Yuri Bashmet , cellists Mstislav Rostropovich, Natalia Gutman, Alexander Knyazev and Alexander Rudin, as well as Sveshnikov State Academic Russian Choir and Yurlov State Academic Choir Capella of Russia.

In recent years, the list of soloists collaborating with the ensemble has been recruited with the names of such singers as Ildar Abdrazakov, Dinara Alieva, Aida Garifullina, Khibla Gerzmava, Dmitry Korchak, Elisabeth Kulman, Jose Kura, Vasily Ladyuk, Julia Lezhneva, Waltraud Meier, Anna Netrebko and Rene Pape, pianists Marc-Andre Hamelin, Leif Ove Andsnes, Rudolf Buchbinder, Simon Trpceski, Jean-Yves Thibaudet and Mitsuko Uchida, violinists Kristof Barati, Ilya Gringolts, Alina Ibragimova, Leonidas Kavakos, Patricia Kopatchinskaya, Sergei Krylov, Julian Rakhlin, Julia Fischer, Thomas Zehetmair, Nikolai Znaider and Pinchas Zuckerman, violist Maxim Rysanov. Considerable attention is also paid to joint work with young musicians, including conductors Maxim Emelyanychev, Dmitry Matvienko, Marius Stravinsky, Valentin Uryupin and Philipp Chizhevsky, pianists Andrei Gugnin, Lucas Debargue, Philipp Kopachevsky and Dmitry Masleyev, violinists Alena Baeva, Pavel Milyukov and Aylen Pritchin, cellist Alexander Ramm.

Having visited abroad for the first time in 1956, the orchestra has since represented Russian art in Australia, Austria, Belgium, Hong Kong, Denmark, Italy, Canada, China, Lebanon, Mexico, New Zealand, Poland, USA, Thailand, France, Czechoslovakia, Switzerland, South Korea, Japan and many other countries.

The discography of the ensemble includes hundreds of LP records and CDs released by leading recording companies in Russia and abroad (Melodiya, Bomba-Peter, Delos, Deutsche Grammophon, EMI Classics, BMG, Naxos, Chandos, Musikproduktion Dabringhaus und Grimm, BelAir, ICA Classics, Pentatone, Toccata Classics, Fancymusic and others). A special place in this collection belongs to the Anthology of Russian Symphonic Music, which includes audio recordings of works by Russian composers from Glinka to Stravinsky (conducted by Yevgeny Svetlanov). The TV channels such as Mezzo, medici.tv, Russia-1 and Kultura, radio Orpheus made recordings of the orchestra’s concerts.

Recently, the State Orchestra performed at the G. Enescu Festival in Bucharest, Another Space, Universe is Svetlanov! festivals and the XIV Guitar Virtuosos Moscow International Festival, Summer. Music. Museum  Festival in Istra; performed world premieres of works by Alexander Vustin, Victor Yekimovsky, Efrem Podgaits, Sergei Slonimsky, Vladimir Nikolaev, Alexei Retinsky, as well as Russian premieres of works by John Adams, Brett Dean, Gerard Grisey, Victor Kissin, Gyorgy Kurtag, Valentin Silvestrov, Olivier Messiaen, Rodion Shchedrin, Carl Orff, Vladimir Tarnopolsky and Karlheinz Stockhausen; took part in the  International Tchaikovsky Competition, the Grand Piano Competition for young pianists; presented the annual cycle of Stories with Orchestra educational concerts eight times; visited the cities of Russia, Austria, Argentina, Brazil, Greece, Great Britain, the Netherlands, Peru, Uruguay, Chile, Germany, Spain, Romania, Turkey, China, Japan. Chamber evenings with the participation of soloists of the orchestra are also regularly held.

Since 2016, the State Orchestra has been implementing a special project to support professional composer creativity involving close cooperation of the ensemble with contemporary Russian authors. The first in the history composer in residence was Alexander Vustin. For outstanding creative achievements, the collective has been bearing the honorary title of “academic” since 1972; in 1986 it was awarded the Order of the Red Banner of Labor, in 2006, 2011 and 2017 it dignified the gratitude of the President of the Russian Federation.