Tchaikovsky Symphony Orchestra,
Denis Lotoyev, Andrey Gugnin

The Moscow Radio Symphony Orchestra was founded in 1930. Until the dissolution of the Soviet Union, the Orchestra was the official orchestra of the Soviet Radio Network. Alexander Orlov became the Orchestra’s first director in 1930 and is credited with developing a diverse and voluminous repertoire. From 1937 to the present, a series of outstanding directors have contributed to the Orchestra’s distinctive artistic style and personality: Nikolay Golovanov (1937–1953), Alexander Gauk (1953–1961), Gennady Rozhdestvensky (1961–1974). In 1974, Vladimir Fedoseyev assumed leadership, and turned the Orchestra into one of Russia’s most widely acclaimed ensembles.

Over the years, a distinguished group of composers, guest conductors and soloists have played an integral role in the development of the Moscow Radio Symphony Orchestra: Stokowski, Mravinsky, Cluytens, Sebastian, Abendrot, Feitelberg, Zecchi and Sanderling are among the artists who have led the ensemble. Emil Gilels, Yury Bashmet, Victor Tretyakov, Gidon Kremer, Misha Maisky, Oleg Maisenberg, Lisa Leonskaja and more contemporary musicians (among them Maxim Vengerov, Vadim Repin, and Mikhail Pletnev) have supported the Orchestra from the very beginning of their career as musicians. In 1993, the Orchestra was renamed by the decree of the Russian Ministry of Culture and became Tchaikovsky Symphony Orchestra of Moscow Radio. Awarding the Orchestra the name of this great Russian composer was recognition of its role in promoting much of the music written by Tchaikovsky. 

The Tchaikovsky Symphony Orchestra traditionally participates in the legendary international Tchaikovsky Competition and also in the musical evenings which take place in the Tchaikovsky museums in Klin and Votkinsk. The Orchestra has given premieres of the new works of such prominent composers as Shostakovich, Khachaturian, Myaskovsky, Prokofiev, Gliere, Sviridov, Boris Tchaikovsky and Gubaidulina. It has also premiered works of the best composers from the former Soviet Union such as Taktakishvili, Toradze, Oganesyan, Melikov, Barkauskas, Tormis and many more. Engagements abroad have included appearances in London, Tokyo, Paris, Milan, Munich, Frankfurt, Geneva, Stockholm, Rome, Oslo, Prague and many other major cities. The Tchaikovsky Symphony Orchestra is the only Russian orchestra consistently invited to open the concert season in the prestigious Golden Hall of the Musikverein in Vienna. 

The Tchaikovsky Symphony Orchestra is a frequent participant in numerous festivals; Beethoven Festival in Bonn, Bruckner Festival in Linz, Mozart Festival in Salzburg, Menuhin Festival in Gstaad, Klang Bogen in Vienna, Rachmaninov Festivals in Los Angeles, Carinthian Summer in Villach, Millennium in Athens, Scriabin Festival in Graz, Festival of Modern Music in Paris, Festival of Prokofiev, Russian Modern Music in Germany, Jeunesse Festivals in Vienna, Grieg Festival in Bergen as well as festivals in Hong Kong, Rome, Bregenz, Baden-Baden, Zurich and Edinburgh. In 1990, the Tchaikovsky Symphony Orchestra was the first Russian orchestra to perform at the Salzburg Festival in honour of the Festival’s 70th anniversary. 

For more than 40 years, Vladimir Fedoseyev has led the Tchaikovsky Symphony Orchestra in the tradition of his predecessors. His interpretations are famous for their depth, artistic passion and great sensitivity for the national character of Russian music. Maestro Fedoseyev has created in the Orchestra a specific melodious emotional style that distinguishes it from others and has helped it to earn worldwide acclaim. Vladimir Fedoseyev and the Tchaikovsky Symphony Orchestra have recorded extensively for a variety of labels including Ariola, JVC, Musica, Philips, Pony Canyon, Relief Records and Sony Classical.

Moscow-born concert pianist Andrey Gugnin is rapidly gaining international acclaim as a passionately virtuosic performer, who possesses an “extraordinarily versatile and agile technique, which serves an often inspired musical imagination” (Gramophone). In 2020, the BBC Music Magazine Awards named Gugnin the winner of the Instrumental Award for his recording Shostakovich: 24 Preludes – Piano Sonatas 1 & 2 (Hyperion). Since winning the prestigious Sydney International Piano Competition in 2016, Gugnin has gone from strength to strength in concerts and recordings which exhibit his impassioned interpretations. 

In addition to winning in Sydney, Gugnin also received prizes at this illustrious competition for Best Overall Concerto, Best 19th/20th Century Concerto, Best Violin and Piano Sonata, and Best Preliminaries for his first-round recital. His also won the Gold Medal and Audience Award at the XCI International Gina Bachauer Piano Competition in 2014, and second prize at the 2013 Beethoven International Piano Competition in Vienna.

Increasingly in demand as a concerto soloist, Gugnin has been invited to perform as a guest artist with notable orchestras worldwide, such as the London Philharmonic Orchestra, the Mariinsky Symphony Orchestra, the State Academic Symphony Orchestra of Russia, the Netherlands Symphony Orchestra, Utah Symphony, West Australian Symphony Orchestra and the Sydney Symphony, and has performed under the distinguished batons of Maestro Valery Gergiev, Jaap Van Zweden, Reinbert de Leeuw, Daniel Raiskin, Stanislav Kochanovsky and Asher Fisch. He has also collaborated in a more chamber context with the Asko Schönberg ensemble, Orchestre de Chambre de Genève, Jerusalem Camerata and Camerata Salzburg and on several occasions as the duo partner of violinist Tasmin Little. 

As a recording artist, Gugnin has published a broad scope of repertoire ranging from solo piano to symphonic works. His release of Liszt’s Transcendental Etudes (Piano Classics, 2018) were commended as Editor’s Choice, and distinguished Gugnin as “one to watch” (Gramophone). Other notable recordings include his duo programme with violinist Ioana Cristina Goicea (Atoll Records, 2019), an inspired selection of solo piano suites entitled Pictures (Steinway & Sons, 2016), and a collection of piano duets with Vadim Kholodenko (Delos International, 2010). Andrey has also extensively recorded for TV and radio in Russia, The Netherlands, Croatia, Austria, Australia, Switzerland and the USA. 

In addition to these recordings, Gugnin’s Shostakovich Concertos (Delos International, 2007) were selected to feature on the soundtrack of Steven Speilberg’s Oscar®-winning film Bridge of Spies. 

Gugnin’s expanding list of performance venues include Vienna’s Musikverein, Victoria Hall in Geneva, Carnegie Hall in New York, Abravanel Hall in Salt Lake City, Sydney Opera House, the Great Hall of the Moscow State Conservatory, the Tchaikovsky Concert Hall in Moscow, Mariinsky Concert Hall, the Louvre in Paris, Tokyo Metropolitan Art Space and Asahi Hamarikyu Hall. Gugnin has also participated in a plethora of international festivals, including Verbier, Klavier Festival Ruhr, Mariinsky International Festival, Dubrovnik Summer Festival, the Ohrid Summer Festival and the Duszniki Chopin International Festival. 

In 2020, as allowed by the covid pandemic, Gugnin embarked on performing numerous solo recitals at prestigious venues in Russia, as well as showcasing a new concerto by Alexey Shor in Armenia. Gugnin joined Tasmin Little in her farewell concert at the Southbank Centre as one of her four favourite pianists to collaborate with, which was broadcast live on BBC Radio 3 and for which Andrey was praised for his “emphatic, mesmerising playing” (Bachtrack). He continued his collaboration with Hyperion, recording his next CD of solo works for release in 2022. 

Gugnin took his first lessons with Natalia Smirnova, who laid the foundations for study with Olga Mechetina, Valery Kastelsky, Lev Naumov, Stanislav Ioudenitch, William Naboré and Vera Gornostayeva.