Gluck. Opera "Orfeo ed Euridice"

Musica Viva's origins go back to 1978, when violinist and conductor Viktor Kornachev founded a musical ensemble of nine players – all young and enthusiastic, and recent graduates of Moscow's musical academies. By 1988 the ensemble had grown into a full-fledged orchestra, now led Alexander Rudin who also gave the group its name, Musica Viva. Under his guidance, the orchestra achieved the pinnacles of artistic endeavour, and ranked along Russia's finest orchestras. 

Musica Viva today is an all-round musical ensemble which performs the widest possible range of compositions in all styles and genres with an assured confidence. The highlight of the orchestra's projects has been the cycle named Masterpieces & Premieres at the Moscow Philharmonic Society, featuring musical masterworks in their original splendour alongside musical rarities which are brought once more back to the concert platform. 2011 marked the creation of the Silver Classics series consisting of works that are not part of the so called ‘golden repertoire’ while deserving indeed to be there. The series includes a Young Artists Programme introducing prize-winners of European music competitions to the audience, as well as annual Cello Assemblies to which maestro Rudin invites his fellow cellists.

The performance of neglected masterworks forms a major part of the orchestra's repertoire. Musica Viva has given the first Russian performances of works by C. F. E. Bach, Cimarosa, Dittersdorf, Dussek, Pleyel, Tricklir, Volkmann, Kozlovsky, Fomin, Vielgorsky, Alyabyev, Degtyarev, and many others. The orchestra also makes the audience discover leading contemporary works, with world and Russian premieres of music by Artyomov, Pärt, A. Sallinen, Silvestrov, Manotskov, Akhunov, Andrei Golovin, and other composers. 

Over the last decade, Musica Viva has been increasingly involved in large-scale projects including concert performances of operas and oratorios. Under the baton of Alexander Rudin, the orchestra has performed Haydn’s The Creation and The Seasons; Mozart's Idomeneo, Weber's Oberon, Beethoven's Fidelio, Schumann's Requiem, Vivaldi's Juditha Triumphans, and Degtyarev's Minin & Pozharsky, or Liberation of Moscow. The musicians presented the Russian premieres of Handel's cantata Apollo e Daphne and operatic serenata Aci. Galatea e Polifemo, and of Hasse's serenata Marc Antonio e Cleopatra and oratorio I Pellegrini al Sepolcro di Nostro Signore. In collaboration with the British maestro Christopher Moulds the orchestra has given the Russian premieres of Handel's operas Orlando and Ariodante, as well as his oratorio Hercules. 

Musica Viva regularly invites musicians of world status to join its performances. These have included Christopher Hogwood, Sir Roger Norrington, Vladimir Jurowsky, Andraš Adorian. Robert Levin, Andreas Staier, Eliso Virsaladze, Natalya Gutman, Ivan Monighetti, Nikolai Lugansky, Boris Berezovsky, Alexei Lubimov, Giuliano Carmingola, Isabelle Faust, Roel Dieltiens, Thomas Zettmaier, Christian Tetzlaff , Shlomo Mintz, and leading operatic prima donnas Joyce di Donato, Annick Massis, Vivica Genaux. Deborah York, Susan Graham, Malena Ernman, Stéphanie d’Oustrac, Hibla Gerzmava, and Julia Lezhneva. World-famous choirs including Collegium Vocale Gent and Latvia, as well as the Russian vocal ensemble Intrada, have also appeared with the orchestra. 

Musica Viva makes continuous appearances at major international music festivals including world-renowned La folle journee taking place in France, Spain, Japan, Poland, and Russia (Yekaterinburg). The orchestra has toured to Germany, France, the Netherlands, Italy, Spain, Belgium, Japan, Czechia, Slovenia, Poland, Finland, Turkey, India, and Taiwan, while giving regular concerts in many Russian cities. 

The orchestra has recorded over 20 albums for such labels as Russky Sezon, Olympia, Hyperion, Naxos, Chandos, Тudor, Fuga Libera, and Melodiya, among others. Symphonies by Johann Stamitz were released in 2019, while Beethoven's Triple and Violin Concertos with Dmitry Sinkovsky (violin), Alexei Lyubimov (historical piano) and Alexander Rudin (cello, conductor) appeared in 2020. Recordings with maestro Rudin as a soloist are of particular interest and include cello concerts by Tricklir, Myaskovsky, Antonin Kraft, and baroque composers, such as Hasse, C. P. E. Bach, Hertel etc. The Grieg Album introduces Alexander Rudin a master of orchestration, featuring his orchestral versions of chamber works by the Norwegian composer. 

In the 2028/19 season, Musica Viva celebrated its 40th anniversary. Over many years, the orchestra’s activity has been supported by a grant of the Russian President.

Alexander Rudin is an internationally acclaimed cellist, conductor, pianist, harpsichordist, professor at the Moscow Conservatoire, researcher of early scores, author of orchestral versions of chamber works and the mastermind behind unique themed series. The musician’s repertoire includes cello music from four centuries – both pieces that are exceedingly well-known and others that have never been performed before. Thanks to Rudin’s attention to forgotten episodes in the history of music, music-lovers throughout the world have heard many new works for the first time. These include Mikhail Vielgorsky’s Theme and Variations for cello and orchestra, cello concerti by Antonín Kraft, Jean Balthazar Trickler, Johann Heinrich Facius and Robert Volkmann, Dvořák’s First Cello Concerto and original versions of works for cello and orchestra by Tchaikovsky – Variations on a Rococo Theme and Pezzo capriccioso. Much of Rudin’s repertoire features works by contemporary composers including Valentin Silvestrov, Vyacheslav Artyomov, Edison Denisov and Andrei Golovin.

Having received a traditional academic education, Alexander Rudin became interested in the authentic performance of early music, and in time came to a natural synthesis of moth movements. He currently combines performances on a modern cello and a viola da gamba and he performs both music by the Romantic composers and works from the baroque era and early classicism. Rudin’s activities as a pianist and conductor are developing in much a similar manner.Since 1988 the musician has been Artistic Director and Principal Conductor of the Musica Viva Moscow chamber orchestra. Together with the ensemble, in Moscow he has presented unique concert programmes, many of which have been held during the subscription series Masterpieces and Premieres and Musical Gatherings at the Tretyakovs’ House, subscription series at the Moscow International House of Music and the Russian Gnessin Academy of Music and the Dedication festival. Since 2022, Alexander Rudin has been Artistic Director and Chief Conductor of the Russian National Orchestra.

The conductor has earned a reputation as a brilliant interpreter of opera scores and major works in the cantata and oratorio genre. In Moscow, he has conducted the Russian premieres of the oratorio Juditha triumphans by Vivaldi and an original version of Degtyarev’s oratorio Minin and Pozharsky, or the Liberation of Moscow. There have been performances of Haydn’s oratorios The Creation and The Seasons, Mendelssohn’s Symphony No. 2 (Hymn of Praise) and concert versions of the operas Idomeneo by Mozart and Oberon by Weber.As a guest conductor, Alexander Rudin appears with numerous acclaimed orchestras including Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), Tchaikovsky Symphony Orchestra, Svetlanov Symphony Orchestra and symphony and chamber orchestras in Norway, Finland and Turkey.

Alexander Rudin frequently appears on tour. As a soloist and conductor he has taken part in the international festivals Les Pianos folies (France) and La Follе Journée (France, Spain, Japan) among others. Rudin performs recitals in such countries as Germany, Finland, The Netherlands, Canada, Great Britain, Hungary, Slovenia and Turkey. The musician’s activities as a teacher are linked with the Moscow Conservatoire (where he teaches a chamber ensemble class) and one of Turkey’s most prestigious higher education institutions – Yaşar University in Izmir. The performer gives master-classes around the world and collaborates with Youth Orchestras as a conductor.

Alexander Rudin’s discography includes over thirty discs released on leading Russian and international labels (Naxos, Olympia, Tudor, Melodiya, Cello Classics, Russian Season, Russian Disc, RCD). Particularly well received were his recordings of six suites by Bach (Naxos), cello concerti by Trickler, Myaskovsky’s Cello Concerto, a Grieg Album, works by Alexander Alyabiev and Alexander Cherepnin as well as a live recording of a concert from the Great Hall of the Conservatoire (Beethoven’s Third Symphony and Kraft’s (Cello Concerto).In 1983 Alexander Rudin graduated from the State Gnessin Musical Education Institute (cello class of Lev Yevgrafov and piano class of Yuri Ponizovkin). In 1989 he completed his studies at the Moscow State Conservatoire (conducting class of Dmitri Kitaenko). While still a student he was a prize-winner at the prestigious Bach Competition in Leipzig (1976), the Cassado Competition in Florence (1979) and the Tchaikovsky Competition in Moscow (1978, 1982).

Alexander Rudin is a People’s Artist of Russia, a recipient of the State Prize of Russia and a recipient of the City of Moscow Government Prize.

Russian soprano Dilyara Idrisova was born in Ufa in Bashkortostan in 1989 and began her musical studies with Milyausha Murtazina in her home city before attending a course at the Moscow Conservatory, which she completed with distinction in 2014. She has also attended masterclasses with Deborah York in England, Max Emanuel Cencic in Austria and Ildar Abdrazakov and Julia Lezhneva in Russia. In 2016 she won the second grand prix and the audience prize at the International Singing Competition in Toulouse.

Since 2014 Dilyara Idrisova has been a member of the Bashkir State Opera and Ballet Theatre in Ufa. Her international career began at this time. In the course of the 2014/15 season she took part in a European tour of Handel’s Alessandro, singing Lisaura alongside Julia Lezhneva, Max Emanuel Cencic and Xavier Sabata with Armonia Atenea under George Petrou. Performances were given in the Tchaikovsky Concert Hall in Moscow, the Palais des Beaux-Arts (BOZAR) in Brussels and at the Handel Festival in Halle. Subsequent appearances included Arasse in Hasse’s Siroe in Kraków, Moscow, the Amsterdam Concertgebouw, the Opéra de Lausanne and the Hesse State Theatre in Wiesbaden, Sabina in Pergolesi’s Adriano in Siria at the Opéra Royal in Versailles and at the Theater an der Wien and Bach’s St Matthew Passion and St John Passion at the Philharmonie im Gasteig in Munich.

Recent highlights include Poppea in Handel’s Agrippina at the Opera Vlaanderen in Antwerp, Colloandra in Salieri’s La fiera di Venezia at the Schwetzingen Festival, Giuditta in Vinci’s Gismondo, re di Polonia at the Theater an der Wien, her debut at the Hamburg Elbphilharmonie in 2019 and CD recordings of Porpora’s Germanico in Germania and Handel’s Ottone. Following her Salzburg Whitsun Festival debut in Porpora’s Polifemo, Dilyara Idrisova appeared as Bellezza in Handel’s Il trionfo del Tempo e del Disinganno at the Opéra national de Montpellier, as Giuditta in Moscow, Warsaw and at the Klangvokal Music Festival in Dortmund and as Evanco in Handel’s Rodrigo at the Theater an der Wien.