Musica Viva Moscow Chamber Orchestra,
Alexander Rudin, Anthony Marwood

Musica Viva's origins go back to 1978, when violinist and conductor Viktor Kornachev founded a musical ensemble of nine players – all young and enthusiastic, and recent graduates of Moscow's musical academies. By 1988 the ensemble had grown into a full-fledged orchestra, now led Alexander Rudin who also gave the group its name, Musica Viva. Under his guidance, the orchestra achieved the pinnacles of artistic endeavour, and ranked along Russia's finest orchestras. 

Musica Viva today is an all-round musical ensemble which performs the widest possible range of compositions in all styles and genres with an assured confidence. The highlight of the orchestra's projects has been the cycle named Masterpieces & Premieres at the Moscow Philharmonic Society, featuring musical masterworks in their original splendour alongside musical rarities which are brought once more back to the concert platform. 2011 marked the creation of the Silver Classics series consisting of works that are not part of the so called ‘golden repertoire’ while deserving indeed to be there. The series includes a Young Artists Programme introducing prize-winners of European music competitions to the audience, as well as annual Cello Assemblies to which maestro Rudin invites his fellow cellists.

The performance of neglected masterworks forms a major part of the orchestra's repertoire. Musica Viva has given the first Russian performances of works by C. F. E. Bach, Cimarosa, Dittersdorf, Dussek, Pleyel, Tricklir, Volkmann, Kozlovsky, Fomin, Vielgorsky, Alyabyev, Degtyarev, and many others. The orchestra also makes the audience discover leading contemporary works, with world and Russian premieres of music by Artyomov, Pärt, A. Sallinen, Silvestrov, Manotskov, Akhunov, Andrei Golovin, and other composers. 

Over the last decade, Musica Viva has been increasingly involved in large-scale projects including concert performances of operas and oratorios. Under the baton of Alexander Rudin, the orchestra has performed Haydn’s The Creation and The Seasons; Mozart's Idomeneo, Weber's Oberon, Beethoven's Fidelio, Schumann's Requiem, Vivaldi's Juditha Triumphans, and Degtyarev's Minin & Pozharsky, or Liberation of Moscow. The musicians presented the Russian premieres of Handel's cantata Apollo e Daphne and operatic serenata Aci. Galatea e Polifemo, and of Hasse's serenata Marc Antonio e Cleopatra and oratorio I Pellegrini al Sepolcro di Nostro Signore. In collaboration with the British maestro Christopher Moulds the orchestra has given the Russian premieres of Handel's operas Orlando and Ariodante, as well as his oratorio Hercules. 

Musica Viva regularly invites musicians of world status to join its performances. These have included Christopher Hogwood, Sir Roger Norrington, Vladimir Jurowsky, Andraš Adorian. Robert Levin, Andreas Staier, Eliso Virsaladze, Natalya Gutman, Ivan Monighetti, Nikolai Lugansky, Boris Berezovsky, Alexei Lubimov, Giuliano Carmingola, Isabelle Faust, Roel Dieltiens, Thomas Zettmaier, Christian Tetzlaff , Shlomo Mintz, and leading operatic prima donnas Joyce di Donato, Annick Massis, Vivica Genaux. Deborah York, Susan Graham, Malena Ernman, Stéphanie d’Oustrac, Hibla Gerzmava, and Julia Lezhneva. World-famous choirs including Collegium Vocale Gent and Latvia, as well as the Russian vocal ensemble Intrada, have also appeared with the orchestra. 

Musica Viva makes continuous appearances at major international music festivals including world-renowned La folle journee taking place in France, Spain, Japan, Poland, and Russia (Yekaterinburg). The orchestra has toured to Germany, France, the Netherlands, Italy, Spain, Belgium, Japan, Czechia, Slovenia, Poland, Finland, Turkey, India, and Taiwan, while giving regular concerts in many Russian cities. 

The orchestra has recorded over 20 albums for such labels as Russky Sezon, Olympia, Hyperion, Naxos, Chandos, Тudor, Fuga Libera, and Melodiya, among others. Symphonies by Johann Stamitz were released in 2019, while Beethoven's Triple and Violin Concertos with Dmitry Sinkovsky (violin), Alexei Lyubimov (historical piano) and Alexander Rudin (cello, conductor) appeared in 2020. Recordings with maestro Rudin as a soloist are of particular interest and include cello concerts by Tricklir, Myaskovsky, Antonin Kraft, and baroque composers, such as Hasse, C. P. E. Bach, Hertel etc. The Grieg Album introduces Alexander Rudin a master of orchestration, featuring his orchestral versions of chamber works by the Norwegian composer. 

In the 2028/19 season, Musica Viva celebrated its 40th anniversary. Over many years, the orchestra’s activity has been supported by a grant of the Russian President.

Alexander Rudin is an internationally acclaimed cellist, conductor, pianist, harpsichordist, professor at the Moscow Conservatoire, researcher of early scores, author of orchestral versions of chamber works and the mastermind behind unique themed series. The musician’s repertoire includes cello music from four centuries – both pieces that are exceedingly well-known and others that have never been performed before. Thanks to Rudin’s attention to forgotten episodes in the history of music, music-lovers throughout the world have heard many new works for the first time. These include Mikhail Vielgorsky’s Theme and Variations for cello and orchestra, cello concerti by Antonín Kraft, Jean Balthazar Trickler, Johann Heinrich Facius and Robert Volkmann, Dvořák’s First Cello Concerto and original versions of works for cello and orchestra by Tchaikovsky – Variations on a Rococo Theme and Pezzo capriccioso. Much of Rudin’s repertoire features works by contemporary composers including Valentin Silvestrov, Vyacheslav Artyomov, Edison Denisov and Andrei Golovin.

Having received a traditional academic education, Alexander Rudin became interested in the authentic performance of early music, and in time came to a natural synthesis of moth movements. He currently combines performances on a modern cello and a viola da gamba and he performs both music by the Romantic composers and works from the baroque era and early classicism. Rudin’s activities as a pianist and conductor are developing in much a similar manner.Since 1988 the musician has been Artistic Director and Principal Conductor of the Musica Viva Moscow chamber orchestra. Together with the ensemble, in Moscow he has presented unique concert programmes, many of which have been held during the subscription series Masterpieces and Premieres and Musical Gatherings at the Tretyakovs’ House, subscription series at the Moscow International House of Music and the Russian Gnessin Academy of Music and the Dedication festival. Since 2022, Alexander Rudin has been Artistic Director and Chief Conductor of the Russian National Orchestra.

The conductor has earned a reputation as a brilliant interpreter of opera scores and major works in the cantata and oratorio genre. In Moscow, he has conducted the Russian premieres of the oratorio Juditha triumphans by Vivaldi and an original version of Degtyarev’s oratorio Minin and Pozharsky, or the Liberation of Moscow. There have been performances of Haydn’s oratorios The Creation and The Seasons, Mendelssohn’s Symphony No. 2 (Hymn of Praise) and concert versions of the operas Idomeneo by Mozart and Oberon by Weber.As a guest conductor, Alexander Rudin appears with numerous acclaimed orchestras including Academic Symphony Orchestra of the St Petersburg Philharmonic (Honoured Ensemble of Russia), Tchaikovsky Symphony Orchestra, Svetlanov Symphony Orchestra and symphony and chamber orchestras in Norway, Finland and Turkey.

Alexander Rudin frequently appears on tour. As a soloist and conductor he has taken part in the international festivals Les Pianos folies (France) and La Follе Journée (France, Spain, Japan) among others. Rudin performs recitals in such countries as Germany, Finland, The Netherlands, Canada, Great Britain, Hungary, Slovenia and Turkey. The musician’s activities as a teacher are linked with the Moscow Conservatoire (where he teaches a chamber ensemble class) and one of Turkey’s most prestigious higher education institutions – Yaşar University in Izmir. The performer gives master-classes around the world and collaborates with Youth Orchestras as a conductor.

Alexander Rudin’s discography includes over thirty discs released on leading Russian and international labels (Naxos, Olympia, Tudor, Melodiya, Cello Classics, Russian Season, Russian Disc, RCD). Particularly well received were his recordings of six suites by Bach (Naxos), cello concerti by Trickler, Myaskovsky’s Cello Concerto, a Grieg Album, works by Alexander Alyabiev and Alexander Cherepnin as well as a live recording of a concert from the Great Hall of the Conservatoire (Beethoven’s Third Symphony and Kraft’s (Cello Concerto).In 1983 Alexander Rudin graduated from the State Gnessin Musical Education Institute (cello class of Lev Yevgrafov and piano class of Yuri Ponizovkin). In 1989 he completed his studies at the Moscow State Conservatoire (conducting class of Dmitri Kitaenko). While still a student he was a prize-winner at the prestigious Bach Competition in Leipzig (1976), the Cassado Competition in Florence (1979) and the Tchaikovsky Competition in Moscow (1978, 1982).

Alexander Rudin is a People’s Artist of Russia, a recipient of the State Prize of Russia and a recipient of the City of Moscow Government Prize.

British violinist Anthony Marwood is known worldwide as an artist of exceptional expressive force, with an effortless technique and beautiful tone. His energetic and collaborative nature places him in great demand as soloist/director with chamber orchestras worldwide, while his eminence as a soloist has brought him to work with conductors such as Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Andrew Manze, Ilan Volkov, Jaime Martin and Douglas Boyd.

In recent years, engagements have included the Boston Symphony, Iceland Symphony and Vienna Radio Symphony orchestras, as well as the New Zealand, Sydney, Tasmanian and Adelaide Symphony orchestras. Anthony has also recently toured with the Amsterdam Sinfonietta, Scottish Chamber Orchestra and Australian Chamber Orchestra. He maintains a fruitful relationship with the Australian National Academy of Music, regularly directing performances from the violin.

In September 2015 Anthony took up the post of Principal Artistic Partner with the celebrated Canadian chamber orchestra, Les Violons du Roy, appearing with them this season in Beethoven’s violin concerto with Bernard Labadie at the Lanaudière Festival in Québec.

Highlights of the current season include soloist/director engagements with the Norwegian Chamber Orchestra, Tapiola Sinfonietta and St Louis Symphony as well as debuts with the New World Symphony in Miami in March and the Leipzig Gewandhaus Orchestra early next year. Anthony makes several festival appearances including Austria’s Lockenhaus Festival, Trondheim Chamber Music Festival and Bridgehampton Festival in New York. His recital partners include pianist Aleksandar Madžar, appearing together at Wigmore Hall in the current season, and accordionist James Crabb, with whom he toured last season.

Anthony is a renowned champion of contemporary music, regularly premiering and recording new works for violin. Among those composed for Anthony are Thomas Adès’ “Concentric Paths”, Sally Beamish’s 1995 violin concerto and Steven Mackey’s “Four Iconoclastic Episodes”, premiered in 2009 with the Irish Chamber Orchestra, of which Anthony was Artistic Director. The Adès concerto was first performed by him in Berlin and at the BBC Proms, with the Chamber Orchestra of Europe conducted by the composer, followed by many national premieres around the globe, and released on EMI to widespread praise in 2010. The most recent work written for Anthony was Samuel Adams’ Violin Concerto, premiered by the Berkeley Symphony, California, in 2014 to critical acclaim.

Anthony Marwood’s most recent CD features Schumann’s violin sonatas, recorded with Aleksandar Madžar and released on the award-winning Wigmore Live label. The disc, which was described by International Record Review as “exemplary in every way”, followed on from the duo’s acclaimed recording of the Brahms violin sonatas on the same label. Recent releases for Hyperion Records include Schumann’s late works for violin and orchestra, and of the Britten Violin and Double Concertos, both with the BBC Scottish Symphony Orchestra. Anthony has recorded more than 30 discs for Hyperion, spanning from the core trio repertoire with the Florestan Trio to Stravinsky’s complete music for violin and piano with Thomas Adès and the violin concertos by Kurt Weill and Peteris Vasks.

Another facet of Marwood’s career is genre-bending presentations, such as the Academy of St Martin in the Fields’ fully-staged production of Stravinsky’s “A Soldier’s Tale”, in which Marwood acted the role of the Soldier and played the violin part. He also enjoyed a successful collaboration with award-winning Indian classical dancer Mayuri Boonham.

Born in London, Anthony Marwood studied with Emanuel Hurwitz at the Royal Academy of Music, David Takeno at the Guildhall School of Music, and took lessons from Sándor Végh and Daniel Phillips at IMS Prussia Cove. He was named Instrumentalist of the Year by the Royal Philharmonic Society in 2006 and was the violinist of the Florestan Trio for sixteen years. He is co-Artistic Director of the Peasmarsh Chamber Music Festival in East Sussex and teaches annually at the Yellow Barn Festival in Vermont. Anthony was appointed a Fellow of the Guildhall School of Music in 2013. He plays a 1736 Carlo Bergonzi violin, kindly bought by a syndicate of purchasers.