Sergei Taneyev.
Cantata "After reading the Psalm"

The Moscow State Academic Chamber Choir was founded in 1972 by Artistic Manager and Chief Conductor, People’s Artist of the USSR, USSR State Prize Laureate, Professor Vladimir Minin who is at the head of the Choir up till now.

The Choir was born as antipode to official formal execution. There created a group capable to be collective “EGO” in its intercourse with audience, that is able to talk as outstanding personality while recounting about own feelings, events endured by the People, about its dreams and ideals, about concealed and significant matters.

Absolute feeling of harmony and dynamism of the modern world are peculiar to artistic temper of the Group.

World-wide known singers—Obraztcova, Arkhipova, Vedernikov, Sotkilava, Nesterenko appear with the Choir. The best Russian conductors—Fedoseyev, Spivakov, Pletnev, Sondetckys perform with the Group.

There are no composers in Russian choral music whose things wouldn’t be performed by the Choir. The repertoire of the Choir is very diverse. It consists of Russian classic music things (Rakhmaninov, Tchaikovskiy, Musorgskiy), Western-European classic (Bach, Mozart, Brams, Vivaldy), Russian folklore. Except a’capella things the Choir performs big-form works with an orchestra accompaniment as well as takes part in the opera productions—“Masked-Ball” by Verdy, “Iolanta” by Tchaikovskiy, “Bohemia” by Putchinni.

The spirit of the Group is not only in original and irreproachable manner of execution but also in fact that this particular Choir was the first during “the great stagnation” period revived the music of “prohibited composers” such as Chesnokov, Strumskiy, Grechaninov. The touring route of the Group ran through many countries and continents. Only for the last past years the Choir went on a tour to the USA, Switzerland (Zurich, Berne, Basel, Lucerne), Austria (Vena, Bregentze), Germany (Berlin, Kassel, Munich, Frankfurt, Potsdam), China (Pekin, Shanghai), Japan, Brazil, Portugal, Argentina, Italy.

For the time of creative work the Group was awarded many prizes including the title “Academic”. In 1999 Moscow and All Rus’ Patriarch Alexiy II for great creative merits and highest spirituality awarded V.N.Minin in honor of his 70th anniversary with sculpture of Holy Grand Duke Vladimir.

For the past years the Choir recorded 8 compact disks at such big Recording Companies as “Deutche Gramophone”, “Mazur Media”, “Eurodisk”, “Melodia”, and English Company NVC issued video cassettes with recording of Russian Church Music in the execution of The Moscow State Academic Chamber Choir.

The Russian National Orchestra was founded in 1990 by pianist and conductor Mikhail Pletnev. Of its debut at the BBC Proms in London, the Evening Standard wrote, “They played with such captivating beauty that the audience gave an involuntary sigh of pleasure.” The RNO has been described as “a living symbol of the best in Russian art” (Miami Herald) and “as close to perfect as one could hope for” (Trinity Mirror).

Maintaining an active international schedule, the RNO appears in the music capitals of Europe, Asia and the Americas, is a frequent guest at festivals such as Edinburgh, the BBC Proms and Festival Napa Valley, and presents the RNO Grand Festival each September to open the Moscow season. Guest artists performing with the RNO on tour include conductors Vladimir Jurowski, Nicola Luisotti, Antonio Pappano, Alan Gilbert and Carlo Ponti, and soloists Martha Argerich, Yefim Bronfman, Lang Lang, Pinchas Zukerman, Sir James Galway and Joshua Bell, among many others.

RNO concerts are often aired on National Public Radio, the European Broadcasting Union, and Russia’s Kultura channel. Their discography, launched with a highly praised 1991 recording of Tchaikovsky’s Pathétique, now numbers more than 80 critically acclaimed recordings. Notable releases include the complete Beethoven symphonies and piano concertos on Deutsche Grammophon, Tchaikovsky’s six symphonies for Pentatone, and the RNO Shostakovich project, also on Pentatone, cited as “the most exciting cycle of the Shostakovich symphonies to be put down on disc, and easily the best recorded” (SACD.net).

Their recording of Prokofiev’s Peter and the Wolf and Beintus’ Wolf Tracks, conducted by Kent Nagano and narrated by Sophia Loren, Bill Clinton and Mikhail Gorbachev, received a 2004 Grammy Award, making the RNO the first Russian orchestra to win the recording industry’s highest honor. Their recording of Shostakovich Symphony No. 7, conducted by Paavo Järvi, was awarded the Diapason d’Or de l’Année 2015 as the year’s best symphonic album, and was nominated for a 2016 Grammy Award.

Since October 2022, Alexander Rudin has been Artistic Director and Chief Conductor of the Russian National Orchestra.

Pianist, conductor, and composer Mikhail Pletnev was the Gold Medal and First Prize winner of the 1978 Tchaikovsky International Piano Competition when he was 21, a prize that earned him early recognition worldwide. An invitation to perform at the 1988 superpower summit in Washington led to a friendship with Mikhail Gorbachev and the historic opportunity to make music in artistic freedom. 

In 1990 Pletnev formed the first independent orchestra in Russia’s history. Many of the country’s finest musicians joined Pletnev in launching the Russian National Orchestra. Under his leadership as artistic director and principal conductor, the RNO has achieved great stature among the world’s orchestras. In 2006, he launched the Mikhail Pletnev Fund for the Support of National Culture, a nonprofit that supports major cultural initiatives, including the RNO’s annual Grand Festival that opens the Moscow cultural season each September.

Pletnev’s performances and recordings have shown him to be an outstanding interpreter of an extensive repertoire, both as pianist and conductor. The London Telegraph remarked, "from Pletnev's fingers and brain come ideas that vitalise the music and make it teem with freshness and wit. [He] made the music positively leap for joy." The Times describes his playing as "born of a prodigious virtuosity of imagination outrageous in its beauty."

Pletnev’s recordings have earned numerous prizes, including a 2005 Grammy Award for his own arrangement, for two pianos, of Prokofiev’s Cinderella, with Martha Argerich and Pletnev at the keyboards. He received Grammy nominations for recordings of Schumann’s Symphonic Etudes (2004) and the Rachmaninov and Prokofiev Piano Concertos No. 3 with the RNO and conductor Mstislav Rostropovich (2003). His critically acclaimed album of Scarlatti’s Keyboard Sonatas (Virgin/EMI) received a 1996 Gramophone Award. BBC Music Magazine called the recording "piano playing at its greatest... this performance alone would be enough to secure Pletnev a place among the greatest pianists ever known." His recording of the complete Beethoven symphonies and piano concertos (Deutsche Grammophon) was named “Best of 2007” by The New Yorker.

Pletnev's compositions include works for orchestra, piano, strings and voices. His transcriptions for piano of Tchaikovsky's Nutcracker Suite and Sleeping Beauty were selected, along with his performance of Tchaikovsky's Second Piano Concerto and The Seasons, for the 1998 anthology Great Pianists of the 20th Century (Philips Classics).

The son of musician parents, Pletnev learned multiple instruments as a young child and entered the Moscow Conservatory as a teenager. Today he is one of Russia's most respected and influential artists. An advisor on Russia’s Cultural Council, Pletnev is a People’s Artist of Russia and frequently acclaimed for his contributions to Russia's artistic life, receiving Russia’s highest civilian honor in 2007 and 2019, and the Platonov Prize in 2014. Pianist, conductor, composer and cultural leader — all are significant facets of Mikhail Pletnev's life as an artist. Yet he considers himself, simply, a musician.