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Nikolai Lugansky is a pianist who combines elegance and grace with powerful virtuosity, a true incarnation of the Russian tradition on the international classical stage. Recognised as a master of Russian and late romantic repertoire, Lugansky is renowned for his interpretations of Rachmaninov, Prokofiev, Chopin and Debussy. He has received numerous awards for recordings and artistic merit. 

He regularly works with top level conductors such as Yuri Temirkanov, Kent Nagano, Mikhail Pletnev, Gianandrea Noseda and Vladimir Jurowski. Concerto highlights for the 2021/22 season include performances with Berliner Philharmoniker, Orchestre Philharmonique de Radio France, Brussels Philharmonic, Orquestra Nacional de España, Helsinki Philharmonic Orchestra and the BBC Symphony Orchestra.

A regular recitalist the world over, during this season he appears in Piano a Lyon, Tenerife, Ancona, Padova, Aix, Paris, and Rome. Lugansky performs at the Muziekgebouw Russian Festival in December 2021 and tours South America with the Orchestre Philharmonique Royal de Liège in Summer 2022. A passionate chamber musician, Lugansky collaborates with Gautier Capuçon, Vadim Repin and embarks on a trio recital tour with Alexander Kniazev and Sergei Krylov in February 2022. 

In June 2019 Nikolai Lugansky received the Russian Federation National Award in Literature and Art, for his contribution to the development and advancement of Russian and international classical music culture over the past 20 years. Lugansky was awarded the honour of People’s Artist of Russia in April 2013, which is the highest honorary title for outstanding achievement in the arts. 

In addition to performing, Lugansky has been a professor at the Moscow State Tchaikovsky Conservatory since 1998. He is also the Artistic Director of the Tambov Rachmaninov Festival and is a supporter of, and regular performer at, the Rachmaninov Estate and Museum of Ivanovka. 

Described by Gramophone as “the most trailblazing and meteoric performer of all” Nikolai Lugansky is a pianist of extraordinary depth and versatility. He appears at some of the world’s most distinguished festivals, including the Aspen, Tanglewood, Ravinia and Verbier festivals. Chamber music collaborators include Vadim Repin, Alexander Kniazev, Mischa Maisky and Leonidas Kavakos. 

Nikolai Lugansky has won several awards for his many recordings. His recital CD featuring Rachmaninov’s Piano Sonatas won the Diapason d’Or, whilst his recording of concertos by Grieg and Prokofiev with Kent Nagano and the Deutsches Symphonie-Orchester Berlin was a Gramophone Editor’s Choice. Lugansky has an exclusive contract with harmonia mundi and his Rachmaninov’s 24 Preludes, released in April 2018, met with enthusiastic reviews. He was described as having “an ability to enchant the ear… with a deep feeling for the music” (The Financial Times). His recording of solo piano music by Debussy was released in the 2018 anniversary year and his most recent release ‘César Frank, Préludes, Fugues & Chorals’ (March 2020) won the Diapason d’Or. He most recently released ‘Beethoven: Late Piano Sonatas’ (December 2020) and will release a further recording of Beethoven sonatas later this season.

Yaroslav Timofeev is a musicologist, lecturer, music critic, presenter, and concert host. Having graduated from the Moscow State Tchaikovsky Conservatory, he has been a prize-winner of international piano, composing and church bellringing competitions. In 2014, Yaroslav defended his Ph. D. thesis titled Stravinsky and “Khovanshina” in Sergei Diaghilev’s version: an attempt of historical research and source study. In 2015, he got the 1st degree Resonance award for Russian Young Musical Critics at the Diaghilev Festival. 

Since 2011, Yaroslav Timofeev has been a music reviewer authoring over 750 articles for leading Russian media, such as Izvestia, Kommersant, Russia Beyond the Headlines newspapers; The New Times, Music Academy, Musical Life magazines; Colta.ru portal; and Arzamas project, among others. He has also been a script-writer and editor of the Absolute Pitch and Artificial selection shows on the Kultura TV channel. In 2014–2015, he was an editor with the Culture Division of Izvestia newspaper. In 2009–2015, he headed the Musicology Section of MolOt (Junior Department of the Russian Composers Union). Since 2018, he has been the Chief Editor with the Musical Academy Magazine.

Yaroslav Timofeev has been a Jury member and an Expert Council member of the Golden Mask National Theatre Award. As a musical consultant, he was involved in the staging of the Opening Ceremony of the Sochi 2014 Winter Olympics. He has been working at the Moscow Philharmonic Society since 2010, presenting concerts of the project ‘Mom, I'm a Melomaniac’ since the 2017/18 season and being a permanent co-author and co-host of the ‘Music Language’ project since 2018/19. He also gives pre-concert lectures in Tchaikovsky and Rachmaninov Concert Halls. In spring 2020, he hosted several online concerts of the Armchair Concerts series. 

Yaroslav has been a pianist with OQJAV indie group since 2017. As part of the group, he was awarded the Mikael Tariverdiev Prize for the Best Film Soundtrack at the Kinotavr festival (2020).