Moscow State Symphony Orchestra,
Pavel Sorokin, Andrey Gugnin

The MSSO was founded in 1943 by the USSR government and is one of the oldest symphony orchestras in Russia. Leo Steinberg, the Peoples Artist of USSR and conductor of the Bolshoi Theatre, became the MSSO first Chief Conductor, a post he held until his death in 1945. He was succeeded by a series of distinguished Soviet musical giants that has included Nicolay Anosov (1945–1950), Leo Ginsburg (1950–1954), Mikhail Terian (1954–1960), Veronica Dudarova (1960–1989), and Pavel Kogan (1989–2022). Owing to the collaboration with such figures the orchestra became one of most prominent national symphonic ensembles, but in the first place it was known through its performances of Russian and Soviet classical music, involving many premieres of Myaskovsky, Prokofiev, Shostakovich, Glier.

The Moscow State Symphony Orchestra became renowned around the globe under the leadership of Pavel Kogan. In 1989 he was engaged as Music Director and Chief Conductor and immediately enriched the orchestra repertoire by the works of European and American musical literature. A landmark of the MSSO has been to present the great cycles of complete symphonic works from leading composers: Brahms, Beethoven, Schubert, Schumann, R. Strauss, Mendelssohn, Mahler, Bruckner, Sibelius, Dvorak, Tchaikovsky, Glazunov, Rachmaninov, Prokofiev, Shostakovich, Scriabin, Berlioz, Debussy and Ravel. The orchestra’s wide-ranging programs combine great orchestral, operatic, and choral classics with equally significant music of the 21st century, including many forgotten or neglected works. 

The MSSO plays some 100 concerts annually. Along with the series in the Great Hall of the Moscow Conservatory and in Tchaikovsky Concert Hall, the Moscow State Symphony Orchestra performs in the Great Hall of the Saint-Petersburg Shostakovich Philharmonic Society and on the stages of many other Russian cities. The MSSO tours regularly overseas including the USA, United Kingdom, Japan, Spain, Austria, Italy, Germany, France, South Korea, Australia, China and Switzerland. The Moscow State Symphony Orchestra also has a long and distinguished recording history with DVD and CD studio and live recordings, television and radio broadcasts. In 1990 the Pioneer made a live recording of Tchaikovsky’ piano and violin concertos, performed by the MSSO and Maestro Kogan (soloists – Aleksey Sultanov, Maxim Vengerov). In the early 1990s Russian television released the documentary Travels with the orchestra about the MSSO and Pavel Kogan tour in Europe and Saint-Petersburg. Their Rachmaninov cycle, released by Alto, which recorded all the symphonies and Symphonic Dances, has become a chart-topping album.

The MSSO has a proud history of collaborating with eminent conductors and soloists including Evgeny Svetlanov, Kirill Kondrashin, Aleksandr Orlov, Natan Rakhlin, Samuil Samosud, Valery Gergiev, David Oistrakh, Emil Gilels, Leonid Kogan, Vladimir Sofronitsky, Sergei Lemeshev, Ivan Kozlovsky, Svyatoslav Knushevitsky, Sviatoslav Richter, Mstislav Rostropovich and Daniil Shafran. 

Moscow-born concert pianist Andrey Gugnin is rapidly gaining international acclaim as a passionately virtuosic performer, who possesses an “extraordinarily versatile and agile technique, which serves an often inspired musical imagination” (Gramophone). In 2020, the BBC Music Magazine Awards named Gugnin the winner of the Instrumental Award for his recording Shostakovich: 24 Preludes – Piano Sonatas 1 & 2 (Hyperion). Since winning the prestigious Sydney International Piano Competition in 2016, Gugnin has gone from strength to strength in concerts and recordings which exhibit his impassioned interpretations. 

In addition to winning in Sydney, Gugnin also received prizes at this illustrious competition for Best Overall Concerto, Best 19th/20th Century Concerto, Best Violin and Piano Sonata, and Best Preliminaries for his first-round recital. His also won the Gold Medal and Audience Award at the XCI International Gina Bachauer Piano Competition in 2014, and second prize at the 2013 Beethoven International Piano Competition in Vienna.

Increasingly in demand as a concerto soloist, Gugnin has been invited to perform as a guest artist with notable orchestras worldwide, such as the London Philharmonic Orchestra, the Mariinsky Symphony Orchestra, the State Academic Symphony Orchestra of Russia, the Netherlands Symphony Orchestra, Utah Symphony, West Australian Symphony Orchestra and the Sydney Symphony, and has performed under the distinguished batons of Maestro Valery Gergiev, Jaap Van Zweden, Reinbert de Leeuw, Daniel Raiskin, Stanislav Kochanovsky and Asher Fisch. He has also collaborated in a more chamber context with the Asko Schönberg ensemble, Orchestre de Chambre de Genève, Jerusalem Camerata and Camerata Salzburg and on several occasions as the duo partner of violinist Tasmin Little. 

As a recording artist, Gugnin has published a broad scope of repertoire ranging from solo piano to symphonic works. His release of Liszt’s Transcendental Etudes (Piano Classics, 2018) were commended as Editor’s Choice, and distinguished Gugnin as “one to watch” (Gramophone). Other notable recordings include his duo programme with violinist Ioana Cristina Goicea (Atoll Records, 2019), an inspired selection of solo piano suites entitled Pictures (Steinway & Sons, 2016), and a collection of piano duets with Vadim Kholodenko (Delos International, 2010). Andrey has also extensively recorded for TV and radio in Russia, The Netherlands, Croatia, Austria, Australia, Switzerland and the USA. 

In addition to these recordings, Gugnin’s Shostakovich Concertos (Delos International, 2007) were selected to feature on the soundtrack of Steven Speilberg’s Oscar®-winning film Bridge of Spies. 

Gugnin’s expanding list of performance venues include Vienna’s Musikverein, Victoria Hall in Geneva, Carnegie Hall in New York, Abravanel Hall in Salt Lake City, Sydney Opera House, the Great Hall of the Moscow State Conservatory, the Tchaikovsky Concert Hall in Moscow, Mariinsky Concert Hall, the Louvre in Paris, Tokyo Metropolitan Art Space and Asahi Hamarikyu Hall. Gugnin has also participated in a plethora of international festivals, including Verbier, Klavier Festival Ruhr, Mariinsky International Festival, Dubrovnik Summer Festival, the Ohrid Summer Festival and the Duszniki Chopin International Festival. 

In 2020, as allowed by the covid pandemic, Gugnin embarked on performing numerous solo recitals at prestigious venues in Russia, as well as showcasing a new concerto by Alexey Shor in Armenia. Gugnin joined Tasmin Little in her farewell concert at the Southbank Centre as one of her four favourite pianists to collaborate with, which was broadcast live on BBC Radio 3 and for which Andrey was praised for his “emphatic, mesmerising playing” (Bachtrack). He continued his collaboration with Hyperion, recording his next CD of solo works for release in 2022. 

Gugnin took his first lessons with Natalia Smirnova, who laid the foundations for study with Olga Mechetina, Valery Kastelsky, Lev Naumov, Stanislav Ioudenitch, William Naboré and Vera Gornostayeva.

Radio and TV journalist Artyom Vargaftik was born in 1971 in Moscow. He studied at the Tchaikovsky Moscow State Conservatory’s Academic School of Music and the Gnessin Russian Academy of Music, then completed a postgraduate course at the Moscow Conservatory. He taught cello history at the Gnessin Academy of Music in 1997–2000 and was a trainer of music journalism in 2003–2006. 

While still a student, he began working on the radio as a correspondent, presenter, and creator of musical programs. His programs Orchestra Pit and Music Scores Never Burn on the Kultura TV channel brought him a wide recognition. Both projects were awarded with TEFI national television awards in 2003 and 2004, respectively.

From 1994 to 2003, Artyom Vargaftik worked as a music journalist on the Echo of Moscow radio, and since 2003 he has been a columnist for Kultura Radio and Radio of Russia. He has taken part in numerous festivals and concerts in Moscow, St. Petersburg, Yekaterinburg, Nizhniy Novgorod, Novosibirsk, Samara, Saratov, Kazan, and other Russian cities. He has been a regular concert presenter at festivals led by Boris Andrianov, such as Vivacello and Musical Expedition. 

In 2007, he began to collaborate with the Moscow Philharmonic Orchestra, and their active collaboration is still ongoing (in the 2021/22 season, Artyom is creating and hosting The Story of a Masterpiece series). Artyom Vargaftik is also a regular host of concert programs at the Moscow International House of Music.