Armchair Concerts.
Broadcasts from Tchaikovsky Concert Hall

Throughout its history, the Moscow Philharmonic Orchestra has ranked among the best national orchestras and has been a worthy representative of Russian musical culture abroad. 

The orchestra was founded in September 1951 under the Soviet Radio Committee and joined the Moscow Philharmonic Society in 1953. Its artistic image and performing style were built under the guidance of renowned Russian conductors. The ensemble's first Artistic Director and Principal Conductor was Samuil Samosud (1951–1957). In 1957–1959, the orchestra, led by Nathan Rachlin, was considered as one of the best in the USSR. In 1958, at the 1st International Tchaikovsky Competition, the orchestra, conducted by Kirill Kondrashin, accompanied a triumphant performance by Van Cliburn, and in 1960 it was the first Russian symphony orchestra to tour the USA.

Kirill Kondrashin led the Moscow Philharmonic Orchestra for 16 years (1960–1976). Those years were important milestones in the ensemble's history: the maestro conducted the premieres of Shostakovich's 4th and 13th Symphonies, his poem The Execution of Stepan Razin, Prokofiev's Cantata for the 20th Anniversary of the October Revolution, performed and recorded many Mahler symphonies. In 1973 the orchestra was awarded the title of Academic. Under Dmitry Kitaenko (1976–1990) the orchestra extended its 20th century repertoire, premiering works by Khrennikov, Denisov, Schnittke, Butsko, and Tishchenko. Messiaen's Turangalîla-Symphonie, Stravinsky's King of the Stars (Zvezdoliki) and Requiem Canticles were performed for the first time in the USSR. The ensemble was subsequently led by Vasily Sinaisky (1991–1996) and Mark Ermler (1996–1998). 

The orchestra has collaborated with leading Russian and international conductors including André Cluytens, Igor Markevitch, Charles Munch, Zubin Mehta, George Enescu, Neeme Järvi, Mariss Jansons, Dzhansug Kakhidze, Kurt Mazur, Evgeny Svetlanov and composers Benjamin Britten, Igor Stravinsky, and Krzysztof Penderecki. It is with this orchestra that Sviatoslav Richter made his sole appearance as a conductor. Virtually all major soloists of the second half of the 20th century have appeared with the orchestra, including Isaac Stern, Yehudi Menuhin, Glenn Gould, Emil Gilels, David Oistrakh, Leonid Kogan, Daniil Shafran, Yakov Flier, Nikolai Petrov, Mstislav Rostropovich, Vladimir Krainev, Maurizio Pollini, Eliso Virsaladze, and Natalia Gutman. The orchestra has recorded over 350 LPs and CDs, many of which have received the highest international recording awards and are still in demand today. 

A new stage in the history of the Moscow Philharmonic Orchestra began in 1998, when it was taken over by People's Artist of the USSR Yuri Simonov. Under his leadership, the ensemble has achieved tremendous success. Today the orchestra is one of the mainstays of Russian philharmonic life, frequently performing in cities across Russia (over the last ten years they have appeared in more than 40 cities) and successfully touring Great Britain, Germany, Spain, Japan, Hong Kong, China, and Korea. 

In recent decades, the orchestra has played with such outstanding musicians as: Marc-André Hamelin, Valery Afanassiev, Yuri Bashmet, Boris Berezovsky, Yuja Wang, Maxim Vengerov, Stefan Vladar, Hibla Gerzmava, David Geringas, Barry Douglas, Lilya Zilberstein, Sumi Jo, Laura Kleikomb, Alexander Kniazev, Sergey Krylov, John Lill, Nikolai Lugansky, Konstantin Lifshitz, Oleg Maisenberg, Denis Matsuev, Ekaterina Mechetina, Viktoria Mullova, Daniel Pollak, Vadim Repin, Sergey Roldugin, Dmitry Sitkovetsky, Viktor Tretyakov; Conductors Luciano Acocella, Semyon Bychkov, Alexander Vedernikov, Michael Güttler, Alexander Dmitriev, Marco Zambelli, Thomas Sanderling, Alexander Lazarev, Andres Mustonen, Vasily Petrenko, Benjamin Pionnier, 

Gintaras Rinkevičius, Alexander Sladkovsky, Leonard Slatkin, Saulius Sondeckis, Antonino Fogliani, Mariss Jansons and many others. 

One of the orchestra's priorities is working with the new generation of musicians: as part of the Stars of the 21st Century series, the orchestra plays with gifted soloists entering the big stage and invites young performers to join its philharmonic subscription programmes. The orchestra is a regular participant of international and Russian master courses for young conductors by Yuri Simonov, organized by the Moscow Philharmonic society. 

The activities of Maestro Simonov and the orchestra also aim at educating young listeners. The subscription series Tales with an Orchestra, taking place in Moscow and many Russian cities and featuring theatre and film stars, has become hugely popular. Guest stars have included Marina Alexandrova, Maria Aronova, Alyona Babenko, Valery Barinov, Sergei Bezrukov, Anna Bolshova, Olga Budina, Valery Garkalin, Sergei Garmash, Nonna Grishaeva, Ekaterina Guseva, Evgenia Dobrovolskaya, Mikhail Yefremov, Evgeny Knyazev, Avangard Leontiev, Pavel Lyubimtsev, Dmitry Nazarov, Alexander Oleshko, Irina Pegova, Yulia Peresild, Mikhail Porechenkov, Evgeniya Simonova, Grigory Siyatvinda, Daniil Spivakovsky, Yuri Stoyanov, Evgeny Stychkin, Victoria Tolstoganova, Mikhail Trukhin, Gennady Khazanov, Chulpan Khamatova, Sergey Shakurov. This project brought Maestro Simonov the Moscow Mayor's Arts Award in 2008, while in 2010, Yuri Simonov and the orchestra received the National Newspaper Musical Review Award in the Conductor and Orchestra category. 

In recent years, the ensemble has presented several Moscow, Russian and world premieres of works by Andrei Eshpai, Boris Tishchenko, Krzysztof Penderecki, Philip Glass, Alexander Tchaikovsky, Sergei Slonimsky, Valentin Silvestrov, Eduard Artemyev, Gennady Gladkov, Sofia Gubaidulina, Alexei Rybnikov, Efrem Podgaits, Kuzma Bodrov and other composers.

Daniele Gatti graduated as a composer and orchestra conductor at the Conservatorio Giuseppe Verdi in Milan. He is Conductor and Artistic Advisor of the Mahler Chamber Orchestra. He was Chief Conductor of the Royal Concertgebouw Orchestra in Amsterdam and previously he has held prestigious roles at important musical institutions like the Accademia Nazionale di Santa Cecilia, the Royal Philharmonic Orchestra, the Orchestre national de France, the Royal Opera House of London, the Teatro Comunale di Bologna, and Zurich’s Opernhaus. The Berliner Philharmoniker, the Wiener Philharmoniker, the Symphonieorchester des Bayerischen Rundfunks, and the Orchestra Filarmonica della Scala are just a few of the renowned symphonic institutions he regularly works with.

Some of the numerous and important new productions he has conducted include the Falstaff staged by Robert Carsen (in London, Milan, and Amsterdam); the Parsifal staged by Stefan Herheim opening the 2008 Bayreuther Festspiele (one of the very few Italian conductors to have been invited to the Wagnerian festival); the Parsifal staged by François Girard at the Metropolitan Opera in New York; four operas at the Salzburger Festspiele (Elektra, La bohème, Die Meistersinger von Nürnberg, Il trovatore). 

In June 2017 he conducted the Royal Concertgebouw Orchestra in an opera production: Salome at the Nationale Opera of Amsterdam. The 2017-2018 season saw him conducting the Berliner Philharmoniker at the Philharmonie Berlin, the Orchestra and Chorus of the Teatro alla Scala in Milan interpreting Mahler’s Second Symphony, the Royal Concertgebouw Orchestra in Europe, South Korea, Japan, and at the Carnegie Hall in New York, all events added to Amsterdam’s traditional season. Other engagements have included the opening of the new season of the Teatro dell’Opera di Roma with La damnation de Faust, a tour with the Mahler Chamber Orchestra, and more performances with the Accademia Nazionale di Santa Cecilia in Rome, the Symphonieorchester des Bayerischen Rundfunks in Munich, and the Philharmonia Orchestra in London. At the end of 2018 he will conduct Rigoletto for the season opening of the Teatro dell'Opera di Roma; in 2019 he will be on the podium of Gewandhausorchester Leipzig, Orchestra dell'Accademia Nazionale di Santa Cecilia, Filarmonica della Scala and Symphonieorchester des Bayerischen Rundfunks. 

Other engagements for the current season include performances with the Berliner Philharmoniker and the Choir and Orchestra of the Maggio Musicale Fiorentino. 

Daniele Gatti was awarded the Premio Franco Abbiati from Italian music critics as best conductor in 2015, and in 2016 he was awarded the Chevalier de la Légion d’honneur from the French Republic for his work as Musical Director of the Orchestre national de France. Under Sony Classical he has recorded works by Debussy and Stravinsky with the Orchestre national de France and a DVD of the Parsifal staged at the Metropolitan Opera in New York. 

Under the label RCO Live he has recorded Berlioz’s Symphonie fantastique, Mahler’s symphonies No 2 & 4 and a DVD of Stravinsky's Le sacre du printemps together with Debussy's Prélude à l'après-midi d'un faune and La mer.

Yaroslav Timofeev is a musicologist, lecturer, music critic, presenter, and concert host. Having graduated from the Moscow State Tchaikovsky Conservatory, he has been a prize-winner of international piano, composing and church bellringing competitions. In 2014, Yaroslav defended his Ph. D. thesis titled Stravinsky and “Khovanshina” in Sergei Diaghilev’s version: an attempt of historical research and source study. In 2015, he got the 1st degree Resonance award for Russian Young Musical Critics at the Diaghilev Festival. 

Since 2011, Yaroslav Timofeev has been a music reviewer authoring over 750 articles for leading Russian media, such as Izvestia, Kommersant, Russia Beyond the Headlines newspapers; The New Times, Music Academy, Musical Life magazines; Colta.ru portal; and Arzamas project, among others. He has also been a script-writer and editor of the Absolute Pitch and Artificial selection shows on the Kultura TV channel. In 2014–2015, he was an editor with the Culture Division of Izvestia newspaper. In 2009–2015, he headed the Musicology Section of MolOt (Junior Department of the Russian Composers Union). Since 2018, he has been the Chief Editor with the Musical Academy Magazine.

Yaroslav Timofeev has been a Jury member and an Expert Council member of the Golden Mask National Theatre Award. As a musical consultant, he was involved in the staging of the Opening Ceremony of the Sochi 2014 Winter Olympics. He has been working at the Moscow Philharmonic Society since 2010, presenting concerts of the project ‘Mom, I'm a Melomaniac’ since the 2017/18 season and being a permanent co-author and co-host of the ‘Music Language’ project since 2018/19. He also gives pre-concert lectures in Tchaikovsky and Rachmaninov Concert Halls. In spring 2020, he hosted several online concerts of the Armchair Concerts series. 

Yaroslav has been a pianist with OQJAV indie group since 2017. As part of the group, he was awarded the Mikael Tariverdiev Prize for the Best Film Soundtrack at the Kinotavr festival (2020).